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Mythology

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About Mythology

Introduction

About Egyptian Mythology

Introduction
Principal Egyptian Gods

Summary and Analysis for Egyptian Mythology

The Creation
Osiris

About Babylonian Mythology

Introduction
Major Babylonian Gods

Summary and Analysis for Babylonian Mythology

The Creation, the Flood, and Gilgamesh

About Indian Mythology

Introduction
Main Vedic Gods
Hindu Gods and Concepts

Summary and Analysis for Indian Mythology

Indra and the Dragon
Bhrigu and the Three Gods
Rama and Sita and Buddha

About Greek Mythology

Introduction
The Titans
Other Primordial Deities
The Olympian Gods
Other Gods
Mythical Greek Geography

Summary and Analysis for Greek Mythology

The Beginnings — Creation
The Beginnings — Prometheus and Man, and The Five Ages of Man and the Flood
The Beginnings — Loves of Zeus
The Beginnings — Poseidon, Athena, Apollo, Artemis, Aphrodite, Hermes, Demeter, and Dionysus
The Heroes — Perseus, Bellerophon, and Heracles
The Heroes — Jason and Theseus
The Heroes — Meleager and Orpheus
The Tragic Dynasties — Crete: The House Of Minos
The Tragic Dynasties — Mycenae: The House Of Atreus
The Tragic Dynasties — Thebes: The House of Cadmus
The Tragic Dynasties — Athens: The House of Erichthonius
The Trojan War — The Preliminaries, The Course of the War, The Fall of Troy, and The Returns
The Trojan War — Odysseus' Adventures
Other Myths

About Roman Mythology

Introduction
The Roman Gods

Summary and Analysis in Roman Mythology

Patriotic Legends — Aeneas and Romulus and Remus
Love Tales — Pyramus and Thisbe, Baucis and Philemon, Pygmalion, Vertumnus and Pomona, Hero and Leander, Cupid and Psyche

About Norse Mythology

Introduction
Supernatural Races in Norse Myth
The Major Norse Gods
Creation and Catastrophe

Summary and Analysis for Norse Mythology

The Norse Gods — Odin, Thor, Balder, Frey, Freya, and Loki
Beowulf, The Volsungs, and Sigurd

About Arthurian Legends

Introduction

Summary and Analysis for Arthurian Legends

Merlin, King Arthur, Gawain, Launcelot, Geraint, Tristram, Percivale, the Grail Quest, and the Passing of Arthur's Realm

Critical Essays

A Brief Look at Mythology

Study and Homework Help

Essay Questions

Cite this Literature Note

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About Mythology

Introduction

There is yet another type of story often classified as myth that is the result of a conscious literary effort and which belongs to a highly developed culture. This is the romance, the love story in which the hero is dedicated to the pursuit or happiness of a woman. In the realm of heroic action women were almost incidental to the hero's destiny. A woman could help or hinder the hero but his deeds belonged to him alone. Heroes like Heracles, Jason, Theseus, Odysseus, and Aeneas might have romantic entanglements, but they always left the women behind to follow their true calling. In the romance, however, the hero devotes himself to love. Here one sees tales like those of Venus and Adonis, Pyramus and Thisbe, Launcelot and Guinevere, and many more. These tales crop up when a culture begins to grow soft, as in Hellenized Greece, late Augustan Rome and after, or the courtly societies of the late Middle Ages. In Ovid, for instance, the elegant Augustan poet, there is an obsessive preoccupation with love and feminine psychology. It would seem that when a culture lacks monsters to kill, civilizations worth fighting for, or ideas to advance, men seem to dissolve in effeminate idleness, making the art of love their main profession.

Having delineated the major types of stories usually classed as myth — the explanatory myth, the heroic saga, the folk tale, the symbolic story, and the romance — it must be said that these stories are rarely found in their pure form, but are blended and take on multiple functions. Myths have their source in the imagination and can satisfy those needs that require an imaginative solution. Stories are indeed the most impressive records of human life. Many of the myths in this volume have lasted for thousands of years, remaining as fresh as when they were first written down, while the architecture of the age lies buried in ruins. This is because myths have their origin in man's creative faculty, which is vital and permanent.

But why study these old tales? What do they have to offer today's student?


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