Pincher Martin followed in 1956. Like Lord of the Flies, it concerns survival after shipwreck. Navy lieutenant Christopher Martin is thrown from his ship during combat in World War II. He finds a rock to cling to, and the rest of the story is related from this vantage point, detailing his struggle for survival and recounting the details of his life.
Golding uses the flashback technique of Pincher Martin more extensively in his next novel, Free Fall (1959). Unlike his first three novels, Free Fall is told with a first person narrator, an artist named Samuel Mountjoy. The novel takes as a model Dante's La Vita Nuova, a collection of love poems interspersed with Dante's own commentary on the poems. Golding uses the character Mountjoy to comment on the conflict between rationalism and faith.
Issues of faith are addressed in The Spire (1964) as well. A fourteenth-century Dean of Barchester Cathedral decides that God wants a 400-foot-high spire added to the top of the cathedral, although the cathedral's foundation is not sufficient to hold the weight of the spire. The novel tells the story of the human costs of the spire's construction and the lessons that the Dean learns too late.
The Pyramid (1967) provides an examination of English social class within the context of a town ironically named Stilbourne. A primary issue in this story is music, and the novel utilizes the same structure as the musical form sonata.
