Jack strives to be a chief in some grand fashion seen in a book or a movie, evidenced by the bizarrely formal announcement and flourish he makes Maurice and Robert perform once he has spoken to Ralph’s group. Little does he realize he himself is fulfilling the role of the beast. Wrapped up in the caveman-like activities of hunting, face-painting, and chest-beating disguised as addresses to the assembly, Jack doesn’t feel the need for rescue and so distracts the other boys from keeping the fire lit. He tells the assembly “Yes. The beast is a hunter” without taking a moment to reflect that perhaps the hunter is the beast.
Having lost and been wounded by the powerful, aggressive boar in the previous chapter, Jack chooses now to attack a defenseless sow who is vulnerable while she nurses her piglets — an act of supreme cruelty. The sow’s death and disfigurement marks the triumph of evil and the climax of the novel. Jack’s selection of the vulnerable sow arises from his defeated attempt to depose Ralph and foreshadows his later actions. While he couldn’t impeach Ralph openly and was wounded emotionally in the attempt, he can defeat him by killing the defenseless boys in his tribe, Piggy and Simon.
Voices can be a tool of evil as well. In the previous chapter, Jack’s voice came unidentified out of the darkness like the devil’s voice. While his choirboys-turned-hunters prepare unknowingly in this chapter to commit cruelty against their former friends and group members by joining Jack, Golding points out for contrast that “their voices had been the song of angels” back in civilization. Now they take part in slaughtering a mother pig and putting her head on a stake, offering it to the supposed beast while “The silence accepted the gift.”
