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Leaves of Grass

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Walt Whitman Biography

Life and Background
A Whitman Chronology

From Inscriptions

Introduction
"One's-Self I Sing"
"As I Ponder'd in Silence"
"For Him I Sing"
"To the States"
"I Hear America Singing"
"Poets to Come"
"To You"
"Thou Reader"

"Song of Myself"

Introduction
Sections 1–5, lines 1–98
Sections 6–19, lines 99–388
Sections 20–25, lines 389–581
Sections 26–38, lines 582–975
Sections 39–41, lines 976–1053
Sections 42–52, lines 1054–1347

From Children Of Adam

Introduction
"To the Garden of the World"
"Spontaneous Me"
"Ages and Ages Returning at Intervals"
"As Adam Early in the Morning"

From Calamus

Introduction
"In Paths Untrodden"
"Scented Herbage of My Breast"
"Whoever You Are Holding Me Now in Hand"
"When I Heard at the Close of the Day"
"Are You the New Person Drawn Toward Me?"
"Not Heat Flames Up and Consumes"
"I Saw in Louisiana a Live-Oak Growing"
"Full of Life Now"
"Crossing Brooklyn Ferry"
"Song of the Broad-Axe"
"Pioneers! O Pioneers!"
"Out of the Cradle Endlessly Rocking"
"When I Heard the Learn'd Astronomer"
"Beat! Beat! Drums!"
"Cavalry Crossing a Ford"
"When Lilacs Last in the Dooryard Bloom'd"
"As Consequent, Etc."
"There Was a Child Went Forth"
"Passage to India"
"The Sleepers"
"To a Locomotive in Winter"
"As the Time Draws Nigh"
"So Long!"
"Queries to My Seventieth Year"
"America"
"Good-Bye My Fancy!"

Critical Essays

Form and Style in Leaves of Grass
Themes in Leaves of Grass
Whitman: The Quintessential American Poet

Study and Homework Help

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"Song of Myself"

Sections 42–52, lines 1054–1347

The poet is not afraid of death. In section 49, he addresses it: "And as to you Death, you bitter hug of mortality, it is idle to try to alarm me." For there is no real death. Men die and are reborn in different forms. He himself has died "ten thousand times before." The poet feels (section 50) there is something that outweighs death, although it is hard for him to put a name to it: "It is form, union, plan — it is eternal life — it is Happiness."

The last two sections are expressions of farewell. "The past and present wilt — I have fill'd them, emptied them,/And proceed to fill my next fold of the future." He knows that his writings have been obscure but sees the paradoxes in his works as natural components in the mysteries of the cosmos: "Do I contradict myself?/Very well then I contradict myself,/(I am large, I contain multitudes.)" The poet can wait for those who will understand him. He tells them, "If you want me again look for me under your boot-soles," for he will have become part of the eternal life cycle. Although it may be difficult to find or interpret him, he will be waiting. "Missing me one place search another,/I stop somewhere waiting for you."

The poet's journey and quest for selfhood have now come full circle. He began by desiring to loaf on the grass and ends by bequeathing himself "to the dirt to grow from the grass I love."

These chants contain many of the important ideas and doctrines of Whitman. The poet brings a new message of faith for the strong and the weak, a belief in the harmony and orderliness of the universe. The poet, noting what has been said about the universe, shows how his own theories, which have a more universal scope, transcend them. Assuming the identity of the Savage-Christ, he delivers a sermon which imagines transcendence of the finite through a union of the individual soul with the Divine Soul. The poet offers to lead men and women "into the unknown — that is, into transcendent reality. Whitman talks about the self as part of the eternal life process. There is no death, for man is reincarnated time and time again. The poet speaks about man's relation with the moment and with eternity. Eternity is time endless, as is the self.


Sections 42–52, lines 1054–1347: 1 2 3
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