CliffsNotes on

Leaves of Grass

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Walt Whitman Biography

Life and Background
A Whitman Chronology

From Inscriptions

Introduction
"One's-Self I Sing"
"As I Ponder'd in Silence"
"For Him I Sing"
"To the States"
"I Hear America Singing"
"Poets to Come"
"To You"
"Thou Reader"

"Song of Myself"

Introduction
Sections 1–5, lines 1–98
Sections 6–19, lines 99–388
Sections 20–25, lines 389–581
Sections 26–38, lines 582–975
Sections 39–41, lines 976–1053
Sections 42–52, lines 1054–1347

From Children Of Adam

Introduction
"To the Garden of the World"
"Spontaneous Me"
"Ages and Ages Returning at Intervals"
"As Adam Early in the Morning"

From Calamus

Introduction
"In Paths Untrodden"
"Scented Herbage of My Breast"
"Whoever You Are Holding Me Now in Hand"
"When I Heard at the Close of the Day"
"Are You the New Person Drawn Toward Me?"
"Not Heat Flames Up and Consumes"
"I Saw in Louisiana a Live-Oak Growing"
"Full of Life Now"
"Crossing Brooklyn Ferry"
"Song of the Broad-Axe"
"Pioneers! O Pioneers!"
"Out of the Cradle Endlessly Rocking"
"When I Heard the Learn'd Astronomer"
"Beat! Beat! Drums!"
"Cavalry Crossing a Ford"
"When Lilacs Last in the Dooryard Bloom'd"
"As Consequent, Etc."
"There Was a Child Went Forth"
"Passage to India"
"The Sleepers"
"To a Locomotive in Winter"
"As the Time Draws Nigh"
"So Long!"
"Queries to My Seventieth Year"
"America"
"Good-Bye My Fancy!"

Critical Essays

Form and Style in Leaves of Grass
Themes in Leaves of Grass
Whitman: The Quintessential American Poet

Study and Homework Help

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"Song of Myself"

Sections 42–52, lines 1054–1347

"A call in the midst of the crowd,/My own voice, orotund [strong and clear] sweeping and final," says the poet, who assumed the position of prophet while acknowledging his kinship with mankind. He says, "I know perfectly well my own egotism," but he would extend it to include all humanity and bring "you whoever you are flush with myself" He sees the injustice that prevails in society but recognizes that the reality beneath the corruption is deathless: "The weakest and shallowest is deathless with me."

In section 43, Whitman states that he does not despise religion but asserts that his own faith embraces all "worship ancient and modern." He practices all religions and even looks beyond them to "what is yet untried." This unknown factor will not fail the suffering and the dead. In the next section, the poet expresses his desire to "launch all men and women . . . into the Unknown" by stripping them of what they already know. In this way he will show them their relationship with eternity. "We have thus far exhausted trillions of winters and summers,/There are trillions ahead, and trillions ahead of them." The poet is conscious of the confrontation of his self with limitless time and limitless space and realizes that he and his listeners are products of ages past and future.

Section 45 again deals with eternity and the ages of man. Everything leads to the mystical union with God, the "great Camerado." In section 46, the poet launches himself on the "perpetual journey," urging all to join him and uttering the warning, "Not 1, not any one else can travel that road for you,/You must travel it for yourself." The poet (section 47) says that he is a teacher, but he hopes that those he teaches will learn to assert their own individuality: "He most honors my style who learns under it to destroy the teacher." Section 48 repeats the idea that "the soul is not more than the body," just as "the body is not more than the soul." Not even God is more important than one's self. The poet asks man not to be "curious about God" because God is everywhere and in everything: "In the faces of men and women I see God, and in my own face in the glass."


Sections 42–52, lines 1054–1347: 1 2 3
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