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Leaves of Grass

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About the Author

Life and Background
A Whitman Chronology

From Inscriptions

“One’s-Self I Sing”
“As I Ponder’d in Silence”
“For Him I Sing”
“To the States”
“I Hear America Singing”
“Poets to Come”
“To You”
“Thou Reader”

“Song of Myself”

Introduction
Sections 1-5, lines 1-98
Sections 6-19, lines 99-388
Sections 20-25, lines 389-581
Sections 26-38, lines 582-975
Sections 39-41, lines 976-1053
Sections 42-52, lines 1054-1347

From Children Of Adam

“To the Garden of the World”
“Spontaneous Me”
“Ages and Ages Returning at Intervals”
“As Adam Early in the Morning”

From Calamus

“In Paths Untrodden”
“Scented Herbage of My Breast”
“Whoever You Are Holding Me Now in Hand”
“When I Heard at the Close of the Day”
“Are You the New Person Drawn Toward Me?”
“Not Heat Flames Up and Consumes”
“I Saw in Louisiana a Live-Oak Growing”
“Full of Life Now”
“Crossing Brooklyn Ferry”
“Song of the Broad-Axe”
“Pioneers! O Pioneers!”
“Out of the Cradle Endlessly Rocking”
“When I Heard the Learn’d Astronomer”
“Beat! Beat! Drums!”
“Cavalry Crossing a Ford”
“When Lilacs Last in the Dooryard Bloom’d”
“As Consequent, Etc.”
“There Was a Child Went Forth”
“Passage to India”
“The Sleepers”
“To a Locomotive in Winter”
“As the Time Draws Nigh”
“So Long!”
“Queries to My Seventieth Year”
“America”
“Good-Bye My Fancy!”

Critical Analysis

Form
Style
Themes
The Quintessential American Poet
Whitman’s Achievement

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From Calamus

“I Saw in Louisiana a Live-Oak Growing”

The poet observed an oak tree in Louisiana which stood alone and whose dark Leaves were delightful. The oak was rough, unyielding, and lusty—it reminded the poet of himself, though he wondered “how it could utter joyous Leaves” all alone, without a friend—he would not be able to. The poet broke off a twig and carried it to his room. To him it seemed a strange “token ... of manly love.” And still he wonders how it could utter joyous messages through its Leaves “without ... a lover near.”

The twig is a phallic symbol. Even the live oak itself approximates the phallic and thus suggests manly love. Physical love is as elementary as the oak tree itself, but its luxuriant growth is an organic metaphor for the development of manly love in the region of the spirit. Whitman is surprised that the tree is able to express itself so luxuriantly alone—he could not write his “Leaves, or poems, without companionship.

This poem has only thirteen lines and it has neither a regular rhythmic nor a formal stanzaic pattern, but it has an affinity with the sonnet because of its lyricism. “I Saw in Louisiana a Live-Oak Growing” is a key poem of the Calamus group.


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