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Leaves of Grass

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About the Author

Life and Background
A Whitman Chronology

From Inscriptions

“One’s-Self I Sing”
“As I Ponder’d in Silence”
“For Him I Sing”
“To the States”
“I Hear America Singing”
“Poets to Come”
“To You”
“Thou Reader”

“Song of Myself”

Introduction
Sections 1-5, lines 1-98
Sections 6-19, lines 99-388
Sections 20-25, lines 389-581
Sections 26-38, lines 582-975
Sections 39-41, lines 976-1053
Sections 42-52, lines 1054-1347

From Children Of Adam

“To the Garden of the World”
“Spontaneous Me”
“Ages and Ages Returning at Intervals”
“As Adam Early in the Morning”

From Calamus

“In Paths Untrodden”
“Scented Herbage of My Breast”
“Whoever You Are Holding Me Now in Hand”
“When I Heard at the Close of the Day”
“Are You the New Person Drawn Toward Me?”
“Not Heat Flames Up and Consumes”
“I Saw in Louisiana a Live-Oak Growing”
“Full of Life Now”
“Crossing Brooklyn Ferry”
“Song of the Broad-Axe”
“Pioneers! O Pioneers!”
“Out of the Cradle Endlessly Rocking”
“When I Heard the Learn’d Astronomer”
“Beat! Beat! Drums!”
“Cavalry Crossing a Ford”
“When Lilacs Last in the Dooryard Bloom’d”
“As Consequent, Etc.”
“There Was a Child Went Forth”
“Passage to India”
“The Sleepers”
“To a Locomotive in Winter”
“As the Time Draws Nigh”
“So Long!”
“Queries to My Seventieth Year”
“America”
“Good-Bye My Fancy!”

Critical Analysis

Form
Style
Themes
The Quintessential American Poet
Whitman’s Achievement

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From Calamus

Calamus, the name of a plant, was the title given to a group of poems in the 1860 edition of Leaves. The rather phallic-leafed plant may suggest comradeship or “adhesiveness.” Whitman was interested in phrenology, a pseudo-science dealing with character as supposedly revealed by a study of skull formation. Adhesiveness is a term used in phrenology to refer to emotional comradeship between men.

The Calamus poems (which Whitman originally thought of calling Live-Oak), thirty-nine in number, are marked by emotional intensity and eloquent expression. They also raise the question of Whitman’s life in relation to his poetry.

Whitman makes use of the Calamus as a many-faceted metaphor. It stands for “athletic love” and for varying degrees of attachment between men. Its different connotations arise from the varied levels of the love between comrades—the resilience and depth of that love. Calamus grows in various shapes and forms and its variety accords with the diversity of love between men.


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