In section 9, the poet invokes the river to flow "with the flood-tide," the clouds to shower upon him and the other passengers, and the "tall masts of Mannahatta" to stand up. He calls on everything — the bird, the sky, and the water — to keep on fulfilling their function with splendor, for everything is part of the universal life flow. The poet desires that the "eternal float of solution" should suspend itself everywhere. Physical objects, like "dumb, beautiful ministers," wait for their union with the poet's soul. Thus, at the end of the poem, Whitman addresses himself to material objects, which are also part of the life process because they are useful to man.
This section is significant in that it uses the language of incantation. The poet invokes the images of his experiences to suggest the flowing of time. The physical existence of man is like a ferry plying between the two shores of mortality and immortality. He and his fancy (his imagination) use objects to express the idea of the search for the eternal beyond the transient. This search, or the function of fancy, is exemplified by the ferry ride which moves from a point in the physical world to a destination in the spiritual world. This journey of the spirit can take place easily in a universe which is harmonious and well adjusted.
