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Leaves of Grass

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About the Author

Life and Background
A Whitman Chronology

From Inscriptions

“One’s-Self I Sing”
“As I Ponder’d in Silence”
“For Him I Sing”
“To the States”
“I Hear America Singing”
“Poets to Come”
“To You”
“Thou Reader”

“Song of Myself”

Introduction
Sections 1-5, lines 1-98
Sections 6-19, lines 99-388
Sections 20-25, lines 389-581
Sections 26-38, lines 582-975
Sections 39-41, lines 976-1053
Sections 42-52, lines 1054-1347

From Children Of Adam

“To the Garden of the World”
“Spontaneous Me”
“Ages and Ages Returning at Intervals”
“As Adam Early in the Morning”

From Calamus

“In Paths Untrodden”
“Scented Herbage of My Breast”
“Whoever You Are Holding Me Now in Hand”
“When I Heard at the Close of the Day”
“Are You the New Person Drawn Toward Me?”
“Not Heat Flames Up and Consumes”
“I Saw in Louisiana a Live-Oak Growing”
“Full of Life Now”
“Crossing Brooklyn Ferry”
“Song of the Broad-Axe”
“Pioneers! O Pioneers!”
“Out of the Cradle Endlessly Rocking”
“When I Heard the Learn’d Astronomer”
“Beat! Beat! Drums!”
“Cavalry Crossing a Ford”
“When Lilacs Last in the Dooryard Bloom’d”
“As Consequent, Etc.”
“There Was a Child Went Forth”
“Passage to India”
“The Sleepers”
“To a Locomotive in Winter”
“As the Time Draws Nigh”
“So Long!”
“Queries to My Seventieth Year”
“America”
“Good-Bye My Fancy!”

Critical Analysis

Form
Style
Themes
The Quintessential American Poet
Whitman’s Achievement

Study Help

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From Calamus

“As the Time Draws Nigh”

As the time of death draws near, the poet is affected by “a dread beyond of/I know not what” that casts a gloom on his spirits. He will “traverse the States,” but perhaps his “singing voice” may “suddenly cease.” He asks: “O chants! must all then amount to but this?” But in this awareness of his approaching end, he is reassured by the fact that he and his soul have at least “positively appear’d.”

Two divergent moods are expressed in this poem. In a mood of despair, the poet wonders why the journey of life should end. But then he discovers that death is also a new beginning, a new life. Then, the fear of departure is combined with the hope of a new arrival. This emotional and philosophical paradox is at the heart of the poem. A touch of deeply felt personal emotion marks expressions such as “a dread beyond of/I know not what darkens me.” This is reminiscent of the lines in Hamlet’s famous soliloquy, “the dread of something after death—/The undiscover’d country” (Hamlet III, i, 78-79).


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