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Le Morte d'Arthur

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Book Summary

Thomas Malory Biography

The Life of Malory
Malory and the Legend of Arthur

About Le Morte d'Arthur

Introduction
The Text

Summary and Analysis by Book

Book 1: The Tale of King Arthur: Merlin
Book 1: The Tale of King Arthur: The Knight with the Two Swords
Book 1: The Tale of King Arthur: Tor and Pellanor
Book 1: The Tale of King Arthur: The Death of Merlin and the War with the Five Kings; Arthur and Accolon; Gawain, Ywain, and Marhault
Book 2: Arthur and King Lucius
Book 3: Sir Launcelot Du Lake
Book 4: The Tale of Sir Gareth
Book 5: Sir Tristram De Lyones: Isode (Isolde) the Fair
Book 5: Sir Tristram De Lyones: Lamerok of Wales; Sir La Cote Male Tale
Book 5: Sir Tristram De Lyones: Tristram's Madness and Exile; The Castle of Maidens
Book 5: Sir Tristram De Lyones: The Round Table
Book 5: Sir Tristram De Lyones: King Mark
Book 5: Sir Tristram De Lyones: Alexander the Orphan
Book 5: Sir Tristram De Lyones: The Tournament at Surluse
Book 5: Sir Tristram De Lyones: Joyous Gard
Book 5: Sir Tristram De Lyones: The Red City
Book 5: Sir Tristram De Lyones: The Tournament at Lonezep
Book 5: Sir Tristram De Lyones: Sir Palomydes
Book 5: Sir Tristram De Lyones: Launcelot and Elayne
Book 5: Sir Tristram De Lyones: Conclusion
Book 6: The Tale of the Holy Grail: The Departure
Book 6: The Tale of the Holy Grail: The Miracles
Book 6: The Tale of the Holy Grail: Sir Percival
Book 6: The Tale of the Holy Grail: Sir Launcelot
Book 6: The Tale of the Holy Grail: Sir Gawain
Book 6: The Tale of the Holy Grail: Sir Bors
Book 6: The Tale of the Holy Grail: Sir Galahad
Book 6: The Tale of the Holy Grail: The Castle of Corbenic
Book 6: The Tale of the Holy Grail: The Miracle of Galahad
Book 7: Sir Launcelot and Queen Guinevere: The Poisoned Apple
Book 7: Sir Launcelot and Queen Guinevere: The Fair Maid of Astalot
Book 7: Sir Launcelot and Queen Guinevere: The Great Tournament
Book 7: Sir Launcelot and Queen Guinevere: The Knight of the Cart
Book 7: Sir Launcelot and Queen Guinevere: The Healing of Sir Urry
Book 8: The Death of King Arthur: Slander and Strife
Book 8: The Death of King Arthur: The Vengeance of SirGawain
Book 8: The Death of King Arthur: The Siege of Benwick
Book 8: The Death of King Arthur: The Day of Destiny
Book 8: The Death of King Arthur: The Death of Sir Launcelot and Queen Guinevere

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Summary and Analysis by Book

Book 6: The Tale of the Holy Grail: The Miracle of Galahad

In the Grail section, the underlying weakness and futility of Arthur's court, which up to now Malory has only suggested by ironic juxtapositions, is laid out openly: Merlin's Round Table is a figure for the world, in medieval Christian doctrine the source of three dangerous temptations — "lust of the flesh, lust of the eyes, and pride of life" (see 1 John 2:16), that is, sinful concupiscence, covetousness, and overweening pride. Whatever the original function of the lady in Arthur's world, she has become in the end not the genteel embodiment of social judgment, but the object of sexual lust; whatever the original function of knightly accouterments, titles, and lands, they have degenerated into things sinfully coveted; and chivalric heroism has in the same way degenerated into sinful pride.

Along with these central Christian tenets, a number of less central Christian virtues are introduced in the Grail section to comment on what is wrong with Arthur's world. It is a world which cannot distinguish clearly between appearance and reality, or, in Christian language, outer appearance and inner meaning — surface and allegory. It is a world which thrives on legalized murder, forgetting the law "Thou shalt not kill;" a world in which fathers war with sons (one of the leitimotivs in Isaiah). Or to put all this another way, it is the eye-for-an-eye world of the Old Law, which must be overthrown by the New Law of charity.

The lucidity and conviction of Malory's Grail section are no doubt in large measure reflections of the personal religious feeling of the writer; but they are also effects of brilliant technique. Nearly everything Malory has done before, nearly every symbol and convention he has established earlier, he repeats here in a new context — the context of spiritual quest. For instance the convention of the borrowed shield, established in "Launcelot du Lake" and developed in every conceivable way in later tales, gets its final twist in the Galahad story: Galahad jousts with no shield at all, protected by grace (like Launcelot among the lions, later in the Grail section), then gets his red cross shield from an agent of God.


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