Not that Malory's vision is wholly black. His legend has moments of great tenderness as well as comedy, and his characters' values are real and noble values; but they are values which mutually conflict and must in the end prove destructive. When the world collapses under Malory's heroes, they are robbed even of the "existential" satisfaction of such characters as Gide's Theseus, who says at the end of it all, "I have lived!" For Malory there is knowledge, but no satisfaction. Except in the case of saints like Galahad, there is only the pattern of human ambition, remorse, penance, and sorrowful death. The ancient British idea of the protector-king comes down, in Malory, to Arthur's words to Sir Bedivere as the king is rowed, mortally wounded, to Avalon:
Then sir Bedwere cryed and seyd,
"A, my lorde Arthur, what shall becom of me, now ye go frome me and leve me here alone amonge myne enemyes?"
"Comforte thyselff," seyde the kynge, "and do as well as thou mayste, for in me ys no truste for to truste in."
