Should the government bail out the auto industry?

Yes, it's too important to our economy.
No, the government is already broke enough.
Only with strict regulations on how they can spend the money.

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Summary, Analysis, and Original Text by Scene

Act II: Scene 2

OSWALD.
Why, what a monstrous fellow art thou, thus to rail on one that's
neither known of thee nor knows thee?

KENT.
What a brazen-faced varlet art thou, to deny thou knowest me! Is
it two days ago since I beat thee and tripped up thy heels before
the king? Draw, you rogue: for, though it be night, yet the moon
shines; I'll make a sop o' the moonshine of you: draw, you
whoreson cullionly barbermonger, draw!

[Drawing his sword.]

OSWALD.
Away! I have nothing to do with thee.

KENT.
Draw, you rascal: you come with letters against the king; and
take vanity the puppet's part against the royalty of her father:
draw, you rogue, or I'll so carbonado your shanks: —
draw, you rascal; come your ways!

OSWALD.
Help, ho! murder! help!

KENT.
Strike, you slave; stand, rogue, stand; you neat slave, strike!

[Beating him.]

OSWALD.
Help, ho! murder! murder!

[Enter Edmund, Cornwall, Regan, Gloucester, and Servants.]

EDMUND.
How now! What's the matter?

KENT.
With you, goodman boy, an you please: come, I'll flesh you; come
on, young master.

GLOUCESTER.
Weapons! arms! What's the matter here?

CORNWALL.
Keep peace, upon your lives;
He dies that strikes again. What is the matter?

REGAN.
The messengers from our sister and the king.

CORNWALL.
What is your difference? speak.


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