Notice that the imagery in this chapter continues to develop St. John's inhumanity: he is "no longer flesh, but marble"; his eye is "a cold, bright, blue gem"; and his heart seems made of "stone or metal." For Jane, his coldness is more terrible that Rochester's raging; she asks if her readers know the "terror those cold people can put into the ice of their questions? how much of the fall of the avalanche is in their anger? of the breaking up of the frozen sea in their displeasure?" St. John is associated with falling avalanches and the breaking up of frozen seas, natural events that are unpredictable and uncontrollable. Despite St. John's obvious flaws, Diana and Jane continually remind the reader that he is a "good man." This goodness isn't obvious in Jane's depiction of him. For a twenty-first-century reader, even his missionary zeal is morally suspect, because it shows his participation in the colonialist project, which resulted in violence and the violation of native peoples. The goal of this project was to represent native peoples as "savages," in need of British guidance and enlightenment. St. John's coldheartedness suggests the brutality and self-serving function of colonialism. Jane claims St. John "forgets, pitilessly, the feelings and claims of little people, in pursuing his own large views": imagine the damage he will inflict on any native people who resist him; like Jane, they will be "blighted" by his merciless egotism.
