In this chapter the reader is shown another example of Jane's restlessness. The quiet haven of Thornfield has become stagnant and lonely, and the uniform, still life it offers provides "an existence whose very privilege of security and ease" that Jane is becoming unable to appreciate. Yearning for a life of excitement, variety, and intellectual stimulation, Jane isn't satisfied with the monotony of Mrs. Fairfax or the youthful simplicity of Adèle. In consequence, Jane spends much time within her own imagination, opening her inward ear to "a tale my imagination created, and narrated continuously; quickened with all incident, life, fire, feeling, that I desired and had not in my actual existence." Jane suggests that her problems are gender-related. Women need active pursuits, 0just as men do; they, too, need to stretch their intellectual limits. Like men, they suffer from rigid restraint and absolute stagnation. Indeed, Jane believes men are "narrow-minded" to suggest women should satisfy themselves with domestic pursuits. Arguing that a silent rebellion is brewing in women's minds, the novel's message is revolutionary.
Jane's momentous meeting with Rochester is significant at many levels. First, her association of Rochester's horse and dog with the mythical Gytrash brings another supernatural element into the story. The massive dog is "a lion-like creature with long hair and a huge head" (at the end of the novel, Rochester will also be described as lionish) Jane is almost surprised when it doesn't look up to her "with strange pretercanine eyes." In English folklore, the Gytrash often appears to warn people of the coming death of a friend or relative, but it also adds a mythic feeling to Jane and Rochester's first meeting that makes their later relationship seem more extraordinary. It is also significant that Rochester is disabled during their first meeting. Having fallen from his horse, Rochester requires Jane's assistance. Many critics have argued that this incident helps to establish equality between the two characters. It also foreshadows Rochester's dependence upon Jane at the end of the novel. Jane also limits Rochester's powers by emphasizing that he is neither handsome nor heroic-looking. Finally, Rochester recognizes Jane's ambiguous class and social position through his inability to guess her role in the Thornfield household; he realizes she isn't a servant, yet her clothes aren't fine enough for a lady's-maid. On Jane's part, she is happy to have left behind, even for a moment, her passive, dependent, feminine status by offering active, and necessary assistance.
