CliffsNotes on

Gulliver's Travels

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Book Summary

Jonathan Swift Biography

Early Years and Education
Swift's Career
Swift's Major Literary Works
About Gulliver's Travels

Summary, Analysis, and Original Text by Chapter

Book I: A Voyage to Lilliput: Chapter 1
Book I: A Voyage to Lilliput: Chapter 2
Book I: A Voyage to Lilliput: Chapter 3
Book I: A Voyage to Lilliput: Chapter 4
Book I: A Voyage to Lilliput: Chapter 5
Book I: A Voyage to Lilliput: Chapter 6
Book I: A Voyage to Lilliput: Chapter 7
Book I: A Voyage to Lilliput: Chapter 8
Book II: A Voyage to Brobdingnag: Chapter 1
Book II: A Voyage to Brobdingnag: Chapter 2
Book II: A Voyage to Brobdingnag: Chapter 3
Book II: A Voyage to Brobdingnag: Chapter 4
Book II: A Voyage to Brobdingnag: Chapter 5
Book II: A Voyage to Brobdingnag: Chapter 6
Book II: A Voyage to Brobdingnag: Chapter 7
Book II: A Voyage to Brobdingnag: Chapter 8
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 1
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 2
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 3
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 4
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 5
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 6
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 7
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 8
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 9
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 10
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 11
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 1
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 2
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 3
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 4
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 5
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 6
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 7
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 8
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 9
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 10
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 11
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 12

Character List

Character Map

Character Analysis

Lemuel Gulliver
The Lilliputians
The Brobdingnagians
The Houyhnhnms
The Yahoos

Critical Essays

Philosophical and Political Background of Gulliver's Travels
Swift's Satire in Gulliver's Travels
Gulliver as a Dramatis Persona

Study and Homework Help

Full Glossary for Gulliver's Travels
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Summary, Analysis, and Original Text by Chapter

Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 8

Swift has attacked rationalistic and abstract thinking in Laputa and pragmatic and amoral scientific thinking in Balnibarbi. Now he lambastes the so-called humane studies of the Moderns, particularly the historians and philosophers. On the whole, Swift argues, poetry and ancient philosophy are more admirable than other ways of gaining knowledge because they teach morality and decency. Swift pits the ancient authors, like Homer and Aristotle, against their commentators. Most literary commentators and most historians, Swift asserts, distort those they write about. Swift points to Didymus and Eustanthius, ancient scholars who misread and misrepresented Homer. Then he singles out Scotus and Ramus, who, he says, misrepresented Aristotle. Such modern philosophers as Gassendi and Descartes were once popular; now they are unfashionable. Newton, Swift says, will also become unfashionable in his turn. His conclusion is that modern authors have no substance. He reduces them to matters of fashion, not truth.

After satirizing the humanities and philosophy, Swift turns to the historians. History, Swift infers, is the tool of politics; it is misread and miswritten for selfish reasons. In the service of politicians, history lies — about virtue, wisdom, and courage.


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