CliffsNotes on

Gulliver's Travels

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About the Author

Early Years and Education
Career
Major Literary Works

About the Novel

Introduction
A Brief Synopsis
List of Characters and Places
Character Map

Summaries and Commentaries

Book I: A Voyage to Lilliput: Chapter 1
Book I: A Voyage to Lilliput: Chapter 2
Book I: A Voyage to Lilliput: Chapter 3
Book I: A Voyage to Lilliput: Chapter 4
Book I: A Voyage to Lilliput: Chapter 5
Book I: A Voyage to Lilliput: Chapter 6
Book I: A Voyage to Lilliput: Chapter 7
Book I: A Voyage to Lilliput: Chapter 8
Book II: A Voyage to Brobdingnag: Chapter 1
Book II: A Voyage to Brobdingnag: Chapter 2
Book II: A Voyage to Brobdingnag: Chapter 3
Book II: A Voyage to Brobdingnag: Chapter 4
Book II: A Voyage to Brobdingnag: Chapter 5
Book II: A Voyage to Brobdingnag: Chapter 6
Book II: A Voyage to Brobdingnag: Chapter 7
Book II: A Voyage to Brobdingnag: Chapter 8
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 1
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 2
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 3
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 4
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 5
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 6
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 7
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 8
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 9
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 10
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 11
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 1
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 2
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 3
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 4
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 5
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 6
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 7
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 8
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 9
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 10
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 11
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 12

CHARACTER ANALYSES

Lemuel Gulliver
The Lilliputians
The Brobdingnagians
The Houyhnhnms
The Yahoos

CRITICAL ESSAYS

Philosophical and Political Background
Swift’s Satire
Gulliver as a Dramatis Persona

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Summaries and Commentaries

Book II: A Voyage to Brobdingnag: Chapter 6

In this chapter, Swift changes his focus to European politics and institutional morality. The king is the questioner, and Gulliver is the “expert.” Immediately we sense that what Gulliver says is naive. He is idealizing his country’s customs and institutions; he even lies about them. His distortion, therefore, is revealing: It exposes the actual workings of the English system.

Besides attacking the English as a whole, Swift singles out the Whigs. When the King asks whether lords are advanced because of achievement or from political convenience, the reference is to the Whigs’ buying votes in parliament by granting nobility to politicians. When the King asks whether bishops are ever appointed because of their political opinions, the reference is again to the Whigs, who appointed writers of their party to bishoprics. Conversely, clerical success was denied Swift largely because of his political opinions. When the King asks whether members of parliament are not sometimes elected by bribery or influence, the allusion is to Walpole, a master at rigging elections. And when the King asks whether judges don’t sometimes get rich and dispense partial and slow justice, Swift’s inference is that justices of the peace are usually stupid and biased and that judges in the higher courts are notoriously slow and usually very rich.

Swift has Gulliver invoke the rhetoricians before he begins praising England; then he connects this highly formal invocation with the ludicrous spectacle of Gulliver proudly banging on the piano with mallets. Also, Swift uses insect imagery to surround the discussion of the morality of Europe; Gulliver even brags that bees and ants have a reputation for sagacity. Gulliver’s praise rings hollow. The King tells his pint-sized performer that English history is not as Gulliver describes; rather, it is a “heap of conspiracies, rebellions, murders, massacres, revolutions, banishments, the very worst effects that avarice, faction, hypocrisy, perfidiousness, cruelty, rage, madness, hatred, envy, lust, malice, or ambition could produce.” He concludes that the bulk of Gulliver’s countrymen are “the most pernicious race of odious little vermin that nature ever suffered to crawl upon the surface of the earth.”—a statement that is not only the most famous statement in the Travels, but is perhaps the most famous in all literature in its assessment of the nature of mankind.


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