CliffsNotes on

Gulliver's Travels

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About the Author

Early Years and Education
Career
Major Literary Works

About the Novel

Introduction
A Brief Synopsis
List of Characters and Places
Character Map

Summaries and Commentaries

Book I: A Voyage to Lilliput: Chapter 1
Book I: A Voyage to Lilliput: Chapter 2
Book I: A Voyage to Lilliput: Chapter 3
Book I: A Voyage to Lilliput: Chapter 4
Book I: A Voyage to Lilliput: Chapter 5
Book I: A Voyage to Lilliput: Chapter 6
Book I: A Voyage to Lilliput: Chapter 7
Book I: A Voyage to Lilliput: Chapter 8
Book II: A Voyage to Brobdingnag: Chapter 1
Book II: A Voyage to Brobdingnag: Chapter 2
Book II: A Voyage to Brobdingnag: Chapter 3
Book II: A Voyage to Brobdingnag: Chapter 4
Book II: A Voyage to Brobdingnag: Chapter 5
Book II: A Voyage to Brobdingnag: Chapter 6
Book II: A Voyage to Brobdingnag: Chapter 7
Book II: A Voyage to Brobdingnag: Chapter 8
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 1
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 2
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 3
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 4
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 5
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 6
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 7
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 8
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 9
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 10
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 11
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 1
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 2
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 3
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 4
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 5
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 6
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 7
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 8
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 9
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 10
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 11
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 12

CHARACTER ANALYSES

Lemuel Gulliver
The Lilliputians
The Brobdingnagians
The Houyhnhnms
The Yahoos

CRITICAL ESSAYS

Philosophical and Political Background
Swift’s Satire
Gulliver as a Dramatis Persona

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Summaries and Commentaries

Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 3

Swift continues the theological implications he began with the dietary references in the first chapter. A Germanic scholar in the Renaissance had learnedly and earnestly proved that the language Adam and Eve spoke in paradise was High Dutch. Also, Charles V is supposed to have said that he would speak to his God in Spanish, his friend in English, his mistress in French, and his horse in German. The theory that Adam and Eve spoke German was familiar to Swift’s audience. Milton had joked about it before Swift.

Swift has established the distinctions between Gulliver, the horses, and the Yahoos by using physical and concrete objects. He makes his point explicit by defining Houyhnhnm, which means “perfection of nature.” This definition establishes an important distinction. The horses are uncorrupted by passion—either base or noble. They are devoid, for example, of charity. Also, they are not subject to temptation. Like Adam, they cannot understand the use of clothing. Swift never suggests that the Houyhnhnms stand for perfected human nature; on the contrary, they manifest innocent human nature. What they do—and what they say and think—is akin to human nature, but the character of the Houyhnhnms is far from Gulliver’s. They are ignorant of many things which most people would consider venial. They cannot, for example, understand lying—or even the necessity for lying.

Swift thus establishes a range, or spectrum, of existence. The horses are literally innocent, having never (in theological terms) “fallen”; the Yahoos are super-sensual and depraved. The Houyhnhnms are ice-cold reason; the Yahoos are fiery sensuality. In between these extremes is Gulliver.


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