CliffsNotes on

Gulliver's Travels

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About the Author

Early Years and Education
Career
Major Literary Works

About the Novel

Introduction
A Brief Synopsis
List of Characters and Places
Character Map

Summaries and Commentaries

Book I: A Voyage to Lilliput: Chapter 1
Book I: A Voyage to Lilliput: Chapter 2
Book I: A Voyage to Lilliput: Chapter 3
Book I: A Voyage to Lilliput: Chapter 4
Book I: A Voyage to Lilliput: Chapter 5
Book I: A Voyage to Lilliput: Chapter 6
Book I: A Voyage to Lilliput: Chapter 7
Book I: A Voyage to Lilliput: Chapter 8
Book II: A Voyage to Brobdingnag: Chapter 1
Book II: A Voyage to Brobdingnag: Chapter 2
Book II: A Voyage to Brobdingnag: Chapter 3
Book II: A Voyage to Brobdingnag: Chapter 4
Book II: A Voyage to Brobdingnag: Chapter 5
Book II: A Voyage to Brobdingnag: Chapter 6
Book II: A Voyage to Brobdingnag: Chapter 7
Book II: A Voyage to Brobdingnag: Chapter 8
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 1
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 2
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 3
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 4
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 5
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 6
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 7
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 8
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 9
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 10
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 11
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 1
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 2
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 3
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 4
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 5
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 6
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 7
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 8
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 9
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 10
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 11
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 12

CHARACTER ANALYSES

Lemuel Gulliver
The Lilliputians
The Brobdingnagians
The Houyhnhnms
The Yahoos

CRITICAL ESSAYS

Philosophical and Political Background
Swift’s Satire
Gulliver as a Dramatis Persona

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CRITICAL ESSAYS

Swift’s Satire

Gulliver’s Travels was unique in its day; it was not written to woo or entertain. It was an indictment, and it was most popular among those who were indicted—that is, politicians, scientists, philosophers, and Englishmen in general. Swift was roasting people, and they were eager for the banquet.

Swift himself admitted to wanting to “vex” the world with his satire, and it is certainly in his tone, more than anything else, that one most feels his intentions. Besides the coarse language and bawdy scenes, probably the most important element that Dr. Bowdler deleted from the original Gulliver’s Travels was this satiric tone. The tone of the original varies from mild wit to outright derision, but always present is a certain strata of ridicule. Dr. Bowdler gelded it of its satire and transformed it into a children’s book.

After that literary operation, the original version was largely lost to the common reader. The Travels that proper Victorians bought for the family library was Bowdler’s version, not Swift’s. What irony that Bowdler would have laundered the Travels in order to get a version that he believed to be best for public consumption because, originally, the book was bought so avidly by the public that booksellers were raising the price of the volume, sure of making a few extra shillings on this bestseller. And not only did the educated buy and read the book—so also did the largely uneducated.

However, lest one think that Swift’s satire is merely the weapon of exaggeration, it is important to note that exaggeration is only one facet of his satiric method. Swift uses mock seriousness and understatement; he parodies and burlesques; he presents a virtue and then turns it into a vice. He takes pot-shots at all sorts of sacred cows. Besides science, Swift debunks the whole sentimental attitude surrounding children. At birth, for instance, Lilliputian children were “wisely” taken from their parents and given to the State to rear. In an earlier satire (A Modest Proposal), he had proposed that the very poor in Ireland sell their children to the English as gourmet food.


Swift’s Satire: 1 2
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