CliffsNotes on

Gulliver's Travels

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About the Author

Early Years and Education
Career
Major Literary Works

About the Novel

Introduction
A Brief Synopsis
List of Characters and Places
Character Map

Summaries and Commentaries

Book I: A Voyage to Lilliput: Chapter 1
Book I: A Voyage to Lilliput: Chapter 2
Book I: A Voyage to Lilliput: Chapter 3
Book I: A Voyage to Lilliput: Chapter 4
Book I: A Voyage to Lilliput: Chapter 5
Book I: A Voyage to Lilliput: Chapter 6
Book I: A Voyage to Lilliput: Chapter 7
Book I: A Voyage to Lilliput: Chapter 8
Book II: A Voyage to Brobdingnag: Chapter 1
Book II: A Voyage to Brobdingnag: Chapter 2
Book II: A Voyage to Brobdingnag: Chapter 3
Book II: A Voyage to Brobdingnag: Chapter 4
Book II: A Voyage to Brobdingnag: Chapter 5
Book II: A Voyage to Brobdingnag: Chapter 6
Book II: A Voyage to Brobdingnag: Chapter 7
Book II: A Voyage to Brobdingnag: Chapter 8
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 1
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 2
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 3
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 4
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 5
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 6
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 7
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 8
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 9
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 10
Book III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan: Chapter 11
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 1
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 2
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 3
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 4
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 5
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 6
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 7
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 8
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 9
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 10
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 11
Book IV: A Voyage to the Country of the Houyhnhnms: Chapter 12

CHARACTER ANALYSES

Lemuel Gulliver
The Lilliputians
The Brobdingnagians
The Houyhnhnms
The Yahoos

CRITICAL ESSAYS

Philosophical and Political Background
Swift’s Satire
Gulliver as a Dramatis Persona

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CHARACTER ANALYSES

The Houyhnhnms

Gulliver’s description of the horses, the Houyhnhnms, is almost idyllic: “The behaviour of these animals was … orderly and rational … acute and judicious.” Indeed, it is a horse that rescues him from the Yahoos—not by any overt, physical action, but by simply appearing on the road—no physical action being necessary.

Houyhnhnms live simple lives wholly devoted to reason. They speak clearly, they act justly, and they have simple laws. Each Houyhnhnm knows what is right and acts accordingly. They are untroubled by greed, politics, or lust. They live a life of cleanliness and exist in peace and serenity. They live by the grand maxim: Cultivate Reason and be totally governed by it. So perfect is their society, in fact, that they have no concept of a lie, and therefore no word to express it. The only word for evil is “Yahoo.”

Swift defines Houyhnhnm as meaning “perfection of nature.” This definition establishes an important distinction. The horses are uncorrupted by passion—either base or noble. They are devoid, for example, of charity. Also, they are not subject to temptation. Swift, however, never suggests that the Houyhnhnms stand for perfected human nature; on the contrary, they manifest innocent human nature. What they do—and what they say and think—is akin to human nature, but the character of the Houyhnhnms is far from Gulliver’s. They are ignorant of many things which most people would consider venial. They cannot, for example, understand lying—or even the necessity for lying.

Swift thus establishes a range, or spectrum, of existence. The horses are literally innocent, having never (in theological terms) “fallen”; the Yahoos are super-sensual and seem depraved. The Houyhnhnms are ice-cold reason; the Yahoos are fiery sensuality. In between these extremes is Gulliver.


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