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Critical Essays

The Romantic Movement and Frankenstein

The Romantic Movement originated in Germany with Johann Wolfgang von Goethe. Goethe’s play Faust (1808–1832) addresses the issue of how man can acquire too much knowledge, how man can make deals with the Devil to get that knowledge, and how man can move from one human experience to another without achieving full satisfaction. Ideas about a new intellectual movement had circulated for some time in continental Europe and drifted across the English Channel to the islands of Great Britain. The earliest Romantic writer was William Blake, who was a printer by trade and whose works transcended art and literature. In England however, it was William Wordsworth and Samuel Taylor Coleridge’s book of poetry, Lyrical Ballads, in 1798 that established the mark of European Romanticism on the British Isles. From this small volume, the criteria for Romantic writing were established.

Romantic writers are concerned with nature, human feelings, compassion for mankind, freedom of the individual and Romantic hero, and rebellion against society. Writers also experiment with the discontent that they feel against all that seems commercial, inhuman, and standardized. Romantics often concern themselves with the rural and rustic life versus the modern life; far away places and travel to those places; medieval folklore and legends; and the common people. Mary Shelley lived among the practitioners of these concepts and used many of these principles in her novel Frankenstein.


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