Frankenstein is by no means the first Gothic novel. Instead, this novel is a compilation of Romantic and Gothic elements combined into a singular work with an unforgettable story. The Gothic novel is unique because by the time Shelley wrote Frankenstein, several novels had appeared using Gothic themes, but the genre had only been around since 1754.
The first Gothic horror novel was The Castle of Otranto by Horace Walpole, published in 1754. Perhaps the last type of novel in this mode was Emily Bronte’s Wuthering Heights, published in 1847. In between 1754 and 1847, several other novels appeared using the Gothic horror story as a central story telling device, The Mysteries of Udolpho (1794) and The Italian (1794) by Ann Radcliffe, The Monk (1796) by Matthew G. Lewis, and Melmouth the Wanderer (1820) by Charles Maturin.
Gothic novels focus on the mysterious and supernatural. In Frankenstein, Shelley uses rather mysterious circumstances to have Victor create the monster: the cloudy circumstances under which Victor gathers body parts for his experiments and the use of little known modern technologies for unnatural purposes. Shelley employs the supernatural elements of raising the dead and macabre research into unexplored fields of science unknown by most readers. She also causes us to question our views on Victor’s use of the dead for scientific experimentation. Upon hearing the story for the first time, Lord Byron is said to have run screaming from the room, so the desired effect was achieved by Mary Shelley.
