Even after Bazarov’s arrival, Arkady still chooses to spend most of his time in the presence of Katya. In their talks, Arkady finally admits how much he has changed and how much Katya has been instrumental in his transition. Thus, from the beginning of the novel, we have observed the change that has taken place in Arkady until now he has become a responsible member of society desiring a wife and family.
As Arkady tries to propose to Katya, Bazarov, and Madame Odintsova pass close by, talking about the young couple. This is another example of Turgenev resorting to an artificial technique in order to develop his story. As in an earlier chapter, this technique carries little that is convincing in the realistic sense and strikes the reader as being false. But the overheard conversation does serve to prompt Arkady to make his proposal openly and directly.
The next day, when Bazarov hears about the marriage, he announces at the same time that he is leaving. It is almost too much for him to bear, since he has been so disappointed in his own efforts to earn the love of a woman. As he leaves, Madame Odintsova tells him that she is convinced they will meet again. The irony involved of course is the fact that they will have but one more meeting—at Bazarov’s deathbed.
Bazarov does analyze Arkady’s character correctly as he is leaving. He tells his friend: “you haven’t either the audacity or malevolence . . . you were not created for our bitter, caustic, solitary life.” In their final embrace, there seems to be recognition that they have traveled along some good paths together and that they will never see each other again. There is finally no bitterness or regret, just a parting.
After Bazarov leaves, Madame Odintsova reiterates her earlier position that her peace is better than getting involved in his type of life. No one else missed Bazarov or noted his absence, especially Katya and Arkady, who by this time were oblivious to everything but each other.
