Huxley envisions a World State in which war has been eradicated in order to achieve social stability; Bradbury and Orwell imagine that war itself achieves the same end — by keeping the populace cowering in fear of an enemy attack, whether the enemy is real or not. The war maintains the status quo because any change in leaders may topple the defense structure. Orwell and Bradbury imagine the political usefulness of the anesthetization of experience: All experiences become form without substance. The populace is not able to comprehend that all they do is significant and has meaning Likewise, Bradbury and Huxley imagine the use of chemical sedatives and tranquilizers as a means of compensating for an individual's alienated existence. More importantly, all three authors imagine a technocratic social order accomplished through the suppression of books — that is, through censorship.
However, despite their similarities, you can also draw a crucial distinction between these books. If the failure of the proles (citizens of the lowest class; workers) reveals Orwell's despair at the British working-class political consciousness, and if Mustapha Mond reveals Huxley's cynical view of the intellectual, Guy Montag's personal victory over the government system represents American optimism. This train of thought leads back to Henry David Thoreau, whose Civil Disobedience Bradbury must hold in high esteem. Recall the remark by Juan Ramon Jimenez that serves as an epigraph to Fahrenheit 451: "If they give you ruled paper, write the other way." This epigraph could have easily served as Thoreau's motto and is proof of Bradbury's interest in individual freedom. Bradbury's trust in the virtue of the individual and his belief in the inherently corrupt nature of government is a central concept of Fahrenheit 451.
