Emma is deceiving herself more and more about Frank. He is a charming companion, but in addition she chooses to interpret his words and actions in only one way: as they might apply to herself. This is part of the ironic reversal in which her attitude, for a change, is being conditioned by others, not the least of whom is Frank himself. The reversal is possible, though, because of the continuity of Emma's vanity. In the moments before parting, she assumes that he is about to declare something in reference to her. Later the reader learns that he was about to say something quite different, that he would have been giving her credit for insight that she did not have. The irony is delayed but nonetheless is there for the reader who looks back at the politely clever ways in which Frank manages to come in contact with Jane or finds excuses for bringing her upon a scene.
Among the instances of satire here, the reader might notice the continued presentation of Mr. Woodhouse's character, the undue concern about getting the opinions of others in reference to using the Crown Inn for the ball, and the way in which the wish becomes father to acceptance as the group inspects the faults of the Crown. At the end of this section is brief but effective contrast between Frank and George and between Emma and Jane.
