In addition to introducing Frank Churchill, who is to be a major character in the novel in spite of his actual coming on the scene so late, the present chapter offers a contrast between the natural attraction of Harriet toward Robert Martin (whose presence on the short visit is felt more because he is not physically there) and the comparatively artificial attraction of Emma toward Frank—artificial because it is based, not upon any real association, but upon the unstated yet prescriptive hopes of the beloved Westons and upon the kind of predisposition that can be kindled by an expectant community in general. Both of these factors have worked successfully upon Emma's imagination, while it has been Robert as a reality that has worked upon Harriet.
As for Frank, to Emma at least he proves to be the all-pleasing young man she formerly pictured to George Knightley. It is worth remembering that, when she thus described him, she was still partly following an argumentative position opposite to her real opinion. One cannot be certain whether this was meant to be merely argumentative or laudatory; but in any event, having now met and talked with Frank, she is indeed "very well pleased with this beginning of the acquaintance." It is highly ironical that, as simpleminded Harriet's attention was directed toward Mr. Elton by Emma, strong-willed Emma's attention has been directed toward Frank at least to a great extent by others than herself.
