CliffsNotes on

Emerson's Essays

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Ralph Waldo Emerson Biography

Life and Background
Chronology of Emerson's Life

Nature: Analysis and Original Text

Introduction to the Essay
The Introduction
Chapter 1. Nature
Chapter 2. Commodity
Chapter 3. Beauty
Chapter 4. Language
Chapter 5. Discipline
Chapter 6. Idealism
Chapter 7. Spirit
Chapter 8. Prospects
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Glossary

"The American Scholar": Analysis and Original Text

Introduction to the Essay
Paragraphs 1–7. "Man Thinking."
Paragraphs 8–9. The Influence of Nature.
Paragraphs 10–20. The Influence of the Past.
Paragraphs 21–30. The Influence of Action.
Paragraphs 31–45. The Scholar's Duties.
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Glossary

"The Over-Soul": Analysis and Original Text

Introduction to the Essay
Paragraphs 1–3. Introduction.
Paragraphs 4–10. The Over-Soul Is Defined.
Paragraphs 11–15. The Soul and Society.
Paragraphs 16–21. Revelation.
Paragraphs 22–30. The Soul and the Individual.
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Glossary

"Self-Reliance": Analysis and Original Text

Introduction to the Essay
Paragraphs 1–17. The Importance of Self-Reliance.
Paragraphs 18–32. Self-Reliance and the Individual.
Paragraphs 33–50. Self-Reliance and Society.
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Glossary

"The Transcendentalist": Analysis and Original Text

Introduction to the Essay
Paragraphs 1–5. Materialism versus Idealism.
Paragraphs 6–14. Examples and Shortcomings of Transcendentalism.
Paragraphs 15–30. The Solitary Transcendentalist.
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Glossary

"The Poet": Analysis and Original Text

Introduction to the Essay
Paragraphs 1–9. The Poet as Interpreter.
Paragraphs 10–18. The Poet, Language, and Nature.
Paragraphs 19-29. The Poet and Imagination.
Paragraphs 30–33. The Poet and America.
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Glossary

Critical Essays

Trancendentalism
Emerson, Unitarianism, and the God Within
Emerson's Use of Metaphor

Study and Homework Help

Full Glossary for Emerson's Essays
Quiz
Review Questions and Essay Topics

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"Self-Reliance": Analysis and Original Text

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SELF-RELIANCE

"Ne te quaesiveris extra."

"Man is his own star; and the soul that can
Render an honest and a perfect man,
Commands all light, all influence, all fate;
Nothing to him falls early or too late.
Our acts our angels are, or good or ill,
Our fatal shadows that walk by us still."

* * * *

* Cast the bantling on the rocks,
Suckle him with the she-wolf's teat;
Wintered with the hawk and fox,
Power and speed be hands and feet.

I read the other day some verses written by an eminent painter which were original and not conventional. The soul always hears an admonition in such lines, let the subject be what it may. The sentiment they instill is of more value than any thought they may contain. To believe your own thought, to believe that what is true for you in your private heart is true for all men, — that is genius. Speak your latent conviction, and it shall be the universal sense; for the inmost in due time becomes the outmost, — and our first thought is rendered back to us by the trumpets of the Last Judgment. Familiar as the voice of the mind is to each, the highest merit we ascribe to Moses, Plato, and Milton is, that they set at naught books and traditions, and spoke not what men, but what they thought. A man should learn to detect and watch that gleam of light which flashes across his mind from within, more than the luster of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts: they come back to us with a certain alienated majesty. Great works of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility then most when the whole cry of voices is on the other side. Else, to-morrow a stranger will say with masterly good sense precisely what we have thought and felt all the time, and we shall be forced to take with shame our own opinion from another.


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