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Emerson's Essays

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Ralph Waldo Emerson Biography

Life and Background
Chronology of Emerson's Life

Nature: Analysis and Original Text

Introduction to the Essay
The Introduction
Chapter 1. Nature
Chapter 2. Commodity
Chapter 3. Beauty
Chapter 4. Language
Chapter 5. Discipline
Chapter 6. Idealism
Chapter 7. Spirit
Chapter 8. Prospects
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Glossary

"The American Scholar": Analysis and Original Text

Introduction to the Essay
Paragraphs 1–7. "Man Thinking."
Paragraphs 8–9. The Influence of Nature.
Paragraphs 10–20. The Influence of the Past.
Paragraphs 21–30. The Influence of Action.
Paragraphs 31–45. The Scholar's Duties.
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Glossary

"The Over-Soul": Analysis and Original Text

Introduction to the Essay
Paragraphs 1–3. Introduction.
Paragraphs 4–10. The Over-Soul Is Defined.
Paragraphs 11–15. The Soul and Society.
Paragraphs 16–21. Revelation.
Paragraphs 22–30. The Soul and the Individual.
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Glossary

"Self-Reliance": Analysis and Original Text

Introduction to the Essay
Paragraphs 1–17. The Importance of Self-Reliance.
Paragraphs 18–32. Self-Reliance and the Individual.
Paragraphs 33–50. Self-Reliance and Society.
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Glossary

"The Transcendentalist": Analysis and Original Text

Introduction to the Essay
Paragraphs 1–5. Materialism versus Idealism.
Paragraphs 6–14. Examples and Shortcomings of Transcendentalism.
Paragraphs 15–30. The Solitary Transcendentalist.
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Glossary

"The Poet": Analysis and Original Text

Introduction to the Essay
Paragraphs 1–9. The Poet as Interpreter.
Paragraphs 10–18. The Poet, Language, and Nature.
Paragraphs 19-29. The Poet and Imagination.
Paragraphs 30–33. The Poet and America.
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Glossary

Critical Essays

Trancendentalism
Emerson, Unitarianism, and the God Within
Emerson's Use of Metaphor

Study and Homework Help

Full Glossary for Emerson's Essays
Quiz
Review Questions and Essay Topics

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Nature: Analysis and Original Text

Chapter 3. Beauty

This section introduces the idea that beauty is a part of nature that serves our needs. Following the chapter on commodity (a "physical necessity"), this discussion makes clear the notion that beauty is a nobler want of humanity than commodity, which everyone must have to survive. Beauty is not necessary for physical survival, but it is useful for its restorative powers.

Emerson uses the image of a circle as being the most perfect — and, therefore, the most beautiful — geometrical form, An artist integrates natural objects into a "well colored and shaded globe" and creates a "round and symmetrical" landscape. Comparing a landscape to a circle's perfect shape, Emerson finds that the landscape has perfect order; this order creates a unity composed of the eye beholding a scene and the natural light highlighting the scene's inherent beauty.

Emerson now outlines three main points concerning our use of nature's beauty: its medicinal qualities, its spiritual elements, and its intellectual properties.

Nature, he says, has medicinal and restorative powers. Walking in the woods or along a seashore relieves the individual who is burdened by work, tedium, or a stressful urban environment. Every season of nature has a special beauty apparent to the person who takes time to perceive it. However, if we actively seek nature's beauty for its restorative qualities, we will be disappointed. Recalling the paradoxical "I am nothing. I see all" phrase used earlier in the essay, Emerson points out that a person who passively loses himself in the landscape will be rewarded by nature's regenerative powers, whereas a person who consciously seeks such healing will be tricked by nature's illusions.


Chapter 3. Beauty: 1 2
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