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Don Quixote

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Book Summary

Miguel de Cervantes Biography

Summary, Analysis, and Original Text by Chapter

Part 1: The Author's Preface
Part 1: Chapter I
Part 1: Chapter II
Part 1: Chapter III–IV
Part 1: Chapter V–VI
Part 1: Chapter VII
Part 1: Chapter VIII
Part 1: Chapter IX
Part 1: Chapter X–XIII
Part 1: Chapter XIV
Part 1: Chapter XV–XVIII
Part 1: Chapter XIX
Part 1: Chapter XX
Part 1: Chapter XXI–XXIV
Part 1: Chapter XXV
Part 1: Chapter XXVI–XXIX
Part 1: Chapter XXX
Part 1: Chapter XXXI–XXXII
Part 1: Chapter XXXIII–XXXIV
Part 1: Chapter XXXV
Part 1: Chapter XXXVI–XL
Part 1: Chapter XLI
Part 1: Chapter XLII–XLIV
Part 1: Chapter XLV
Part 1: Chapter XLVI–LI
Part 1: Chapter LII
Part 2: The Author's Preface
Part 2: Chapter I
Part 2: Chapter II–IV
Part 2: Chapter V
Part 2: Chapter VI
Part 2: Chapter VII–VIII
Part 2: Chapter IX–X
Part 2: Chapter XI
Part 2: Chapter XII–XIV
Part 2: Chapter XV
Part 2: Chapter XVI–XVII
Part 2: Chapter XVIII–XXII
Part 2: Chapter XXIII
Part 2: Chapter XXIV–XXV
Part 2: Chapter XXVI
Part 2: Chapter XXVII–XXXIV
Part 2: Chapter XXXV
Part 2: Chapter XXXVI–XL
Part 2: Chapter XLI
Part 2: Chapter XLII–LI
Part 2: Chapter LII
Part 2: Chapter LIII–LIV
Part 2: Chapter LV
Part 2: Chapter LVI–LVII
Part 2: Chapter LVIII
Part 2: Chapter LIX–LX
Part 2: Chapter LXI–LXII
Part 2: Chapter LXIII–LXIV
Part 2: Chapter LXV–LXXII
Part 2: Chapter LXXIII
Part 2: Chapter LXXIV

Character List

Critical Essays

Purpose of Don Quixote
Technique and Style in Don Quixote
Characterization in Don Quixote
Themes in Don Quixote

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Summary, Analysis, and Original Text by Chapter

Part 2: Chapter LXI–LXII

After traveling three days with Roque and his band, Don Quixote and Sancho take fond leave of the bandits right outside Barcelona. A tumultuous greeting by a group of horsemen welcomes the arrivals to the town. The gentleman who received Roque's letter shouts out, "Welcome valorous Don Quixote de La Mancha, not the counterfeit and apocryphal shown us lately by false histories, but the true, legitimate, and identick he, described by Cid Hamet, the flower of historiographers." Thus the knight and squire, surrounded by admiring townspeople, make a grand entry into Barcelona and are conducted to the house of their host, Don Antonio Moreno.

Don Antonio plans a jest at Don Quixote's expense. He draws the knight into a room containing only a table, set with a bronze bust. "This head," whispers Don Antonio, "Is manufactured by one of the greatest necromancers in the world. It has the ability to answer all questions put to it." He promises that Don Quixote shall see for himself the virtues of this head on the following day. Meanwhile, he takes his guest on a tour of Barcelona, pinning to his back a sign which says, "This is Don Quixote de La Mancha." Everyone they pass repeats the words of the sign, and the knight marvels that his fame is so widespread. That evening, Don Antonio's wife honors her guest with a ball. So many ladies dance with the valorous knight that he finally sinks with fatigue right in the middle of the dance floor and has to be carried to bed with Sancho's help. His dancing, as well as his peculiar exit, has afforded everyone at the ball immense entertainment. The next day, the magical head performs, answering all questions put to it, though providing minimal information each time. The author now discovers for the reader the source of the head's powers. Through a tin pipe connected to the room below, Cid Hamet explains, the voice of Don Antonio's nephew is piped through the hollow table legs and hollow breast and head of the bronze bust.

After this diversion, Don Quixote takes a walking tour through the city. Delighted to discover a printing house, he investigates the entire plant, receiving explanations from the workmen on its operation. This occasion, furthermore, gives Cervantes (through the words of Don Quixote) an opportunity to expound the ruthless practices of booksellers, publishers, and printers.


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