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Don Quixote

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Book Summary

Miguel de Cervantes Biography

Summary, Analysis, and Original Text by Chapter

Part 1: The Author's Preface
Part 1: Chapter I
Part 1: Chapter II
Part 1: Chapter III–IV
Part 1: Chapter V–VI
Part 1: Chapter VII
Part 1: Chapter VIII
Part 1: Chapter IX
Part 1: Chapter X–XIII
Part 1: Chapter XIV
Part 1: Chapter XV–XVIII
Part 1: Chapter XIX
Part 1: Chapter XX
Part 1: Chapter XXI–XXIV
Part 1: Chapter XXV
Part 1: Chapter XXVI–XXIX
Part 1: Chapter XXX
Part 1: Chapter XXXI–XXXII
Part 1: Chapter XXXIII–XXXIV
Part 1: Chapter XXXV
Part 1: Chapter XXXVI–XL
Part 1: Chapter XLI
Part 1: Chapter XLII–XLIV
Part 1: Chapter XLV
Part 1: Chapter XLVI–LI
Part 1: Chapter LII
Part 2: The Author's Preface
Part 2: Chapter I
Part 2: Chapter II–IV
Part 2: Chapter V
Part 2: Chapter VI
Part 2: Chapter VII–VIII
Part 2: Chapter IX–X
Part 2: Chapter XI
Part 2: Chapter XII–XIV
Part 2: Chapter XV
Part 2: Chapter XVI–XVII
Part 2: Chapter XVIII–XXII
Part 2: Chapter XXIII
Part 2: Chapter XXIV–XXV
Part 2: Chapter XXVI
Part 2: Chapter XXVII–XXXIV
Part 2: Chapter XXXV
Part 2: Chapter XXXVI–XL
Part 2: Chapter XLI
Part 2: Chapter XLII–LI
Part 2: Chapter LII
Part 2: Chapter LIII–LIV
Part 2: Chapter LV
Part 2: Chapter LVI–LVII
Part 2: Chapter LVIII
Part 2: Chapter LIX–LX
Part 2: Chapter LXI–LXII
Part 2: Chapter LXIII–LXIV
Part 2: Chapter LXV–LXXII
Part 2: Chapter LXXIII
Part 2: Chapter LXXIV

Character List

Critical Essays

Purpose of Don Quixote
Technique and Style in Don Quixote
Characterization in Don Quixote
Themes in Don Quixote

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Summary, Analysis, and Original Text by Chapter

Part 2: Chapter XXXV

CHAPTER XXXV.

WHEREIN IS CONTINUED THE INSTRUCTION GIVEN TO DON QUIXOTE TOUCHING THE DISENCHANTMENT OF DULCINEA, TOGETHER WITH OTHER MARVELLOUS INCIDENTS

They saw advancing towards them, to the sound of this pleasing music, what they call a triumphal car, drawn by six grey mules with white linen housings, on each of which was mounted a penitent, robed also in white, with a large lighted wax taper in his hand. The car was twice or, perhaps, three times as large as the former ones, and in front and on the sides stood twelve more penitents, all as white as snow and all with lighted tapers, a spectacle to excite fear as well as wonder; and on a raised throne was seated a nymph draped in a multitude of silver-tissue veils with an embroidery of countless gold spangles glittering all over them, that made her appear, if not richly, at least brilliantly, apparelled. She had her face covered with thin transparent sendal, the texture of which did not prevent the fair features of a maiden from being distinguished, while the numerous lights made it possible to judge of her beauty and of her years, which seemed to be not less than seventeen but not to have yet reached twenty. Beside her was a figure in a robe of state, as they call it, reaching to the feet, while the head was covered with a black veil. But the instant the car was opposite the duke and duchess and Don Quixote the music of the clarions ceased, and then that of the lutes and harps on the car, and the figure in the robe rose up, and flinging it apart and removing the veil from its face, disclosed to their eyes the shape of Death itself, fleshless and hideous, at which sight Don Quixote felt uneasy, Sancho frightened, and the duke and duchess displayed a certain trepidation. Having risen to its feet, this living death, in a sleepy voice and with a tongue hardly awake, held forth as follows:

I am that Merlin who the legends say
The devil had for father, and the lie
Hath gathered credence with the lapse of time.
Of magic prince, of Zoroastric lore
Monarch and treasurer, with jealous eye
I view the efforts of the age to hide
The gallant deeds of doughty errant knights,
Who are, and ever have been, dear to me.
Enchanters and magicians and their kind


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