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Don Quixote

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Book Summary

Miguel de Cervantes Biography

Summary, Analysis, and Original Text by Chapter

Part 1: The Author's Preface
Part 1: Chapter I
Part 1: Chapter II
Part 1: Chapter III–IV
Part 1: Chapter V–VI
Part 1: Chapter VII
Part 1: Chapter VIII
Part 1: Chapter IX
Part 1: Chapter X–XIII
Part 1: Chapter XIV
Part 1: Chapter XV–XVIII
Part 1: Chapter XIX
Part 1: Chapter XX
Part 1: Chapter XXI–XXIV
Part 1: Chapter XXV
Part 1: Chapter XXVI–XXIX
Part 1: Chapter XXX
Part 1: Chapter XXXI–XXXII
Part 1: Chapter XXXIII–XXXIV
Part 1: Chapter XXXV
Part 1: Chapter XXXVI–XL
Part 1: Chapter XLI
Part 1: Chapter XLII–XLIV
Part 1: Chapter XLV
Part 1: Chapter XLVI–LI
Part 1: Chapter LII
Part 2: The Author's Preface
Part 2: Chapter I
Part 2: Chapter II–IV
Part 2: Chapter V
Part 2: Chapter VI
Part 2: Chapter VII–VIII
Part 2: Chapter IX–X
Part 2: Chapter XI
Part 2: Chapter XII–XIV
Part 2: Chapter XV
Part 2: Chapter XVI–XVII
Part 2: Chapter XVIII–XXII
Part 2: Chapter XXIII
Part 2: Chapter XXIV–XXV
Part 2: Chapter XXVI
Part 2: Chapter XXVII–XXXIV
Part 2: Chapter XXXV
Part 2: Chapter XXXVI–XL
Part 2: Chapter XLI
Part 2: Chapter XLII–LI
Part 2: Chapter LII
Part 2: Chapter LIII–LIV
Part 2: Chapter LV
Part 2: Chapter LVI–LVII
Part 2: Chapter LVIII
Part 2: Chapter LIX–LX
Part 2: Chapter LXI–LXII
Part 2: Chapter LXIII–LXIV
Part 2: Chapter LXV–LXXII
Part 2: Chapter LXXIII
Part 2: Chapter LXXIV

Character List

Critical Essays

Purpose of Don Quixote
Technique and Style in Don Quixote
Characterization in Don Quixote
Themes in Don Quixote

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Summary, Analysis, and Original Text by Chapter

Part 2: Chapter XXVII–XXXIV

CHAPTER XXVII.

WHEREIN IT IS SHOWN WHO MASTER PEDRO AND HIS APE WERE, TOGETHER WITH THE MISHAP DON QUIXOTE HAD IN THE BRAYING ADVENTURE, WHICH HE DID NOT CONCLUDE AS HE WOULD HAVE LIKED OR AS HE HAD EXPECTED

Cide Hamete, the chronicler of this great history, begins this chapter with these words, "I swear as a Catholic Christian;" with regard to which his translator says that Cide Hamete's swearing as a Catholic Christian, he being — as no doubt he was — a Moor, only meant that, just as a Catholic Christian taking an oath swears, or ought to swear, what is true, and tell the truth in what he avers, so he was telling the truth, as much as if he swore as a Catholic Christian, in all he chose to write about Quixote, especially in declaring who Master Pedro was and what was the divining ape that astonished all the villages with his divinations. He says, then, that he who has read the First Part of this history will remember well enough the Gines de Pasamonte whom, with other galley slaves, Don Quixote set free in the Sierra Morena: a kindness for which he afterwards got poor thanks and worse payment from that evil-minded, ill-conditioned set. This Gines de Pasamonte — Don Ginesillo de Parapilla, Don Quixote called him — it was that stole Dapple from Sancho Panza; which, because by the fault of the printers neither the how nor the when was stated in the First Part, has been a puzzle to a good many people, who attribute to the bad memory of the author what was the error of the press. In fact, however, Gines stole him while Sancho Panza was asleep on his back, adopting the plan and device that Brunello had recourse to when he stole Sacripante's horse from between his legs at the siege of Albracca; and, as has been told, Sancho afterwards recovered him. This Gines, then, afraid of being caught by the officers of justice, who were looking for him to punish him for his numberless rascalities and offences (which were so many and so great that he himself wrote a big book giving an account of them), resolved to shift his quarters into the kingdom of Aragon, and cover up his left eye, and take up the trade of a puppet-showman; for this, as well as juggling, he knew how to practise to perfection. From some released Christians returning from Barbary, it so happened, he bought the ape, which he taught to mount upon his shoulder on his making a certain sign, and to whisper, or seem to do so, in his ear. Thus prepared, before entering any village whither he was bound with his show and his ape, he used to inform himself at the nearest village, or from the most likely person he could find, as to what particular things had happened there, and to whom; and bearing them well in mind, the first thing he did was to exhibit his show, sometimes one story, sometimes another, but all lively, amusing, and familiar. As soon as the exhibition was over he brought forward the accomplishments of his ape, assuring the public that he divined all the past and the present, but as to the future he had no skill. For each question answered he asked two reals, and for some he made a reduction, just as he happened to feel the pulse of the questioners; and when now and then he came to houses where things that he knew of had happened to the people living there, even if they did not ask him a question, not caring to pay for it, he would make the sign to the ape and then declare that it had said so and so, which fitted the case exactly. In this way he acquired a prodigious name and all ran after him; on other occasions, being very crafty, he would answer in such a way that the answers suited the questions; and as no one cross-questioned him or pressed him to tell how his ape divined, he made fools of them all and filled his pouch. The instant he entered the inn he knew Don Quixote and Sancho, and with that knowledge it was easy for him to astonish them and all who were there; but it would have cost him dear had Don Quixote brought down his hand a little lower when he cut off King Marsilio's head and destroyed all his horsemen, as related in the preceeding chapter.


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