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Don Quixote

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Book Summary

Miguel de Cervantes Biography

Summary, Analysis, and Original Text by Chapter

Part 1: The Author's Preface
Part 1: Chapter I
Part 1: Chapter II
Part 1: Chapter III–IV
Part 1: Chapter V–VI
Part 1: Chapter VII
Part 1: Chapter VIII
Part 1: Chapter IX
Part 1: Chapter X–XIII
Part 1: Chapter XIV
Part 1: Chapter XV–XVIII
Part 1: Chapter XIX
Part 1: Chapter XX
Part 1: Chapter XXI–XXIV
Part 1: Chapter XXV
Part 1: Chapter XXVI–XXIX
Part 1: Chapter XXX
Part 1: Chapter XXXI–XXXII
Part 1: Chapter XXXIII–XXXIV
Part 1: Chapter XXXV
Part 1: Chapter XXXVI–XL
Part 1: Chapter XLI
Part 1: Chapter XLII–XLIV
Part 1: Chapter XLV
Part 1: Chapter XLVI–LI
Part 1: Chapter LII
Part 2: The Author's Preface
Part 2: Chapter I
Part 2: Chapter II–IV
Part 2: Chapter V
Part 2: Chapter VI
Part 2: Chapter VII–VIII
Part 2: Chapter IX–X
Part 2: Chapter XI
Part 2: Chapter XII–XIV
Part 2: Chapter XV
Part 2: Chapter XVI–XVII
Part 2: Chapter XVIII–XXII
Part 2: Chapter XXIII
Part 2: Chapter XXIV–XXV
Part 2: Chapter XXVI
Part 2: Chapter XXVII–XXXIV
Part 2: Chapter XXXV
Part 2: Chapter XXXVI–XL
Part 2: Chapter XLI
Part 2: Chapter XLII–LI
Part 2: Chapter LII
Part 2: Chapter LIII–LIV
Part 2: Chapter LV
Part 2: Chapter LVI–LVII
Part 2: Chapter LVIII
Part 2: Chapter LIX–LX
Part 2: Chapter LXI–LXII
Part 2: Chapter LXIII–LXIV
Part 2: Chapter LXV–LXXII
Part 2: Chapter LXXIII
Part 2: Chapter LXXIV

Character List

Critical Essays

Purpose of Don Quixote
Technique and Style in Don Quixote
Characterization in Don Quixote
Themes in Don Quixote

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Sizzlin'!
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He's taking the quick fame thing way too far.

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Summary, Analysis, and Original Text by Chapter

Part 2: Chapter XXVI

CHAPTER XXVI.

WHEREIN IS CONTINUED THE DROLL ADVENTURE OF THE PUPPET-SHOWMAN, TOGETHER WITH OTHER THINGS IN TRUTH RIGHT GOOD

All were silent, Tyrians and Trojans; I mean all who were watching the show were hanging on the lips of the interpreter of its wonders, when drums and trumpets were heard to sound inside it and cannon to go off. The noise was soon over, and then the boy lifted up his voice and said, "This true story which is here represented to your worships is taken word for word from the French chronicles and from the Spanish ballads that are in everybody's mouth, and in the mouth of the boys about the streets. Its subject is the release by Senor Don Gaiferos of his wife Melisendra, when a captive in Spain at the hands of the Moors in the city of Sansuena, for so they called then what is now called Saragossa; and there you may see how Don Gaiferos is playing at the tables, just as they sing it —

At tables playing Don Gaiferos sits, For Melisendra is forgotten now.

And that personage who appears there with a crown on his head and a sceptre in his hand is the Emperor Charlemagne, the supposed father of Melisendra, who, angered to see his son-in-law's inaction and unconcern, comes in to chide him; and observe with what vehemence and energy he chides him, so that you would fancy he was going to give him half a dozen raps with his sceptre; and indeed there are authors who say he did give them, and sound ones too; and after having said a great deal to him about imperilling his honour by not effecting the release of his wife, he said, so the tale runs,

Enough I've said, see to it now.


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