CliffsNotes on

Don Quixote

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Book Summary

Miguel de Cervantes Biography

Summary, Analysis, and Original Text by Chapter

Part 1: The Author's Preface
Part 1: Chapter I
Part 1: Chapter II
Part 1: Chapter III–IV
Part 1: Chapter V–VI
Part 1: Chapter VII
Part 1: Chapter VIII
Part 1: Chapter IX
Part 1: Chapter X–XIII
Part 1: Chapter XIV
Part 1: Chapter XV–XVIII
Part 1: Chapter XIX
Part 1: Chapter XX
Part 1: Chapter XXI–XXIV
Part 1: Chapter XXV
Part 1: Chapter XXVI–XXIX
Part 1: Chapter XXX
Part 1: Chapter XXXI–XXXII
Part 1: Chapter XXXIII–XXXIV
Part 1: Chapter XXXV
Part 1: Chapter XXXVI–XL
Part 1: Chapter XLI
Part 1: Chapter XLII–XLIV
Part 1: Chapter XLV
Part 1: Chapter XLVI–LI
Part 1: Chapter LII
Part 2: The Author's Preface
Part 2: Chapter I
Part 2: Chapter II–IV
Part 2: Chapter V
Part 2: Chapter VI
Part 2: Chapter VII–VIII
Part 2: Chapter IX–X
Part 2: Chapter XI
Part 2: Chapter XII–XIV
Part 2: Chapter XV
Part 2: Chapter XVI–XVII
Part 2: Chapter XVIII–XXII
Part 2: Chapter XXIII
Part 2: Chapter XXIV–XXV
Part 2: Chapter XXVI
Part 2: Chapter XXVII–XXXIV
Part 2: Chapter XXXV
Part 2: Chapter XXXVI–XL
Part 2: Chapter XLI
Part 2: Chapter XLII–LI
Part 2: Chapter LII
Part 2: Chapter LIII–LIV
Part 2: Chapter LV
Part 2: Chapter LVI–LVII
Part 2: Chapter LVIII
Part 2: Chapter LIX–LX
Part 2: Chapter LXI–LXII
Part 2: Chapter LXIII–LXIV
Part 2: Chapter LXV–LXXII
Part 2: Chapter LXXIII
Part 2: Chapter LXXIV

Character List

Critical Essays

Purpose of Don Quixote
Technique and Style in Don Quixote
Characterization in Don Quixote
Themes in Don Quixote

Study and Homework Help

Quiz
Essay Topics and Review Questions

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Summary, Analysis, and Original Text by Chapter

Part 1: Chapter XX

This chapter not only describes again how the imaginative weapons of Don Quixote overcome obstacles, but how the relationship between master and squire develops. Sancho, anxious to imitate his master, thinks that tying Rosinante's legs and then saying it is the will of Providence to keep them in one place are typical Don Quixote rationalizations. At this point, however, Sancho is merely an imitative clown, transforming reality by tricks, and not by the force of faith. Until he becomes a bit "quixotized," he will still have a muddled notion of the difference between truth and illusion.

Don Quixote, on the other hand, uses no tricks at all. Understanding everything with his imagination, he is capable of overcoming any danger because the appearance of the obstacle is inconsequential. Fulling-mills and giants are conquered by efforts of the imagination, by a strong-willed attack of ideals and ideas. Sancho, fearful and anxious in the dark, huddles close to his visionary master because he cannot see the danger, but he is ready to mock the hero when there is nothing to fear. In other words, Sancho and the rest of common men depend on men of ideas when they are threatened with something their senses cannot grasp. The heroes and leaders of men are always those who impose their will on reality, who bend events according to the idea. Reality, to Don Quixote, is therefore an internal quality, and he renounces this strength of perspective only when at the point of death.


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