CliffsNotes on

Don Quixote

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About the Author

About the Novel

A Brief Synopsis
List of Characters

Chapter Summaries and Commentaries

The Author's Preface
Part One: Book One: Chapter I
Part One: Book One: Chapter II
Part One: Book One: Chapter III
Part One: Book One: Chapter IV
Part One: Book One: Chapter V
Part One: Book One: Chapter VI
Part One: Book One: Chapter VII
Part One: Book One: Chapter VIII
Part One: Book Two: Chapter I
Part One: Book Two: Chapter II
Part One: Book Two: Chapter III
Part One: Book Two: Chapter IV
Part One: Book Two: Chapter V
Part One: Book Two: Chapter VI
Part One: Book Three: Chapter I
Part One: Book Three: Chapter II
Part One: Book Three: Chapter III
Part One: Book Three: Chapter IV
Part One: Book Three: Chapter V
Part One: Book Three: Chapter VI
Part One: Book Three: Chapter VII
Part One: Book Three: Chapter VIII
Part One: Book Three: Chapter IX
Part One: Book Three: Chapter X
Part One: Book Three: Chapter XI
Part One: Book Three: Chapter XII
Part One: Book Three: Chapter XIII
Part One: Book Four: Chapter I
Part One: Book Four: Chapter II
Part One: Book Four: Chapter III
Part One: Book Four: Chapter IV
Part One: Book Four: Chapter V
Part One: Book Four: Chapter VI
Part One: Book Four: Chapter VII
Part One: Book Four: Chapter VIII
Part One: Book Four: Chapter IX
Part One: Book Four: Chapter X
Part One: Book Four: Chapter XI
Part One: Book Four: Chapter XII
Part One: Book Four: Chapter XIII
Part One: Book Four: Chapter XIV
Part One: Book Four: Chapter XV
Part One: Book Four: Chapter XVI
Part One: Book Four: Chapter XVII
Part One: Book Four: Chapter XVIII
Part One: Book Four: Chapter XIX
Part One: Book Four: Chapter XX
Part One: Book Four: Chapter XXI
Part One: Book Four: Chapter XXII
Part One: Book Four: Chapter XXIII
Part One: Book Four: Chapter XXIV
Part One: Book Four: Chapter XXV
Part Two: The Author's Preface
Part Two: Chapter I
Part Two: Chapter II
Part Two: Chapter III
Part Two: Chapter IV
Part Two: Chapter V
Part Two: Chapter VI
Part Two: Chapter VII
Part Two: Chapter VIII
Part Two: Chapter IX
Part Two: Chapter X
Part Two: Chapter XI
Part Two: Chapter XII
Part Two: Chapter XIII
Part Two: Chapter XIV
Part Two: Chapter XV
Part Two: Chapter XVI
Part Two: Chapter XVII
Part Two: Chapter XVIII
Part Two: Chapter XIX
Part Two: Chapter XX
Part Two: Chapter XXI
Part Two: Chapter XXII
Part Two: Chapter XXIII
Part Two: Chapter XXIV
Part Two: Chapter XXV
Part Two: Chapter XXVI
Part Two: Chapter XXVII
Part Two: Chapter XXVIII
Part Two: Chapter XXIX
Part Two: Chapter XXX
Part Two: Chapter XXXI
Part Two: Chapter XXXII
Part Two: Chapter XXXIII
Part Two: Chapter XXXIV
Part Two: Chapter XXXV
Part Two: Chapter XXXVI
Part Two: Chapter XXXVII
Part Two: Chapter XXXVIII
Part Two: Chapter XXXIX
Part Two: Chapter XL
Part Two: Chapter XLI
Part Two: Chapter XLII
Part Two: Chapter XLIII
Part Two: Chapter XLIV
Part Two: Chapter XLV
Part Two: Chapter XLVI
Part Two: Chapter XLVII
Part Two: Chapter XLVIII
Part Two: Chapter XLIX
Part Two: Chapter L
Part Two: Chapter LI
Part Two: Chapter LII
Part Two: Chapter LIII
Part Two: Chapter LIV
Part Two: Chapter LV
Part Two: Chapter LVI
Part Two: Chapter LVII
Part Two: Chapter LVIII
Part Two: Chapter LIX
Part Two: Chapter LX
Part Two: Chapter LXI
Part Two: Chapter LXII
Part Two: Chapter LXIII
Part Two: Chapter LXIV
Part Two: Chapter LXV
Part Two: Chapter LXVI
Part Two: Chapter LXVII
Part Two: Chapter LXVIII
Part Two: Chapter LXIX
Part Two: Chapter LXX
Part Two: Chapter LXXI
Part Two: Chapter LXXII
Part Two: Chapter LXXIII
Part Two: Chapter LXXIV

Critical Essays

Purpose of Don Quixote
Technique and Style
Characterization
Themes

Study Help

Quiz
Essay Topics and Review Questions

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Chapter Summaries and Commentaries

Part Two: Chapter XXVI

A Pleasant Account of the Puppet-Play, with Other Very Good Things Truly.

The puppet play, "Melisandra's Deliverance," is narrated by a young boy who interprets the action of the puppets and identifies the characters. At the point where the brave knight, Don Gayferos, gallops off with his wife, Melisandra, whom he has just freed from cruel imprisonment, and an angry horde of armed Moors chase him, Don Quixote decides he must aid the brave Christians. Swinging his sword, he hacks at all the Moorish puppets until they are completely dismembered. He cuts the strings and wires in his fury and barely misses slicing the head of the puppeteer himself. When Maestro Pedro laments his losses, Don Quixote slowly realizes his mistake and, cursing the necromancers for clouding his perspective, pays handsomely for each ruined puppet.

Commentary

This suggestive incident of a puppet play underlines Cervantes' theme of relating truth and fantasy so that they are almost interchangeable. It is not difficult for Don Quixote to accept the adventure happening in the puppet play as a real incident, but he admits his mistake and offers to pay for the ruined puppets. Cervantes, creator of Don Quixote, also offers us a puppet play and intrudes the remarks of Cid Hamet Benengali's translator to enlarge the action of his stage, just as the boy narrates Maestro Pedro's little show. Like Don Quixote, the ideal reader of this history alternates moments of complete involvement with the novel to be then startled by an editorial chapter into a state of detachment. Cervantes, however, insists that his Quixote is a historic account, whereas Maestro Pedro admits that his characters are merely puppets. Thus Don Quixote's action can be interpreted as another incident where the intuitive knight hacks away at lies and deception, the very means of livelihood of rogues like Gines de Passamonte. However one interprets this incident of the puppets, the important point is to show the plastic relationship between reality and stagecraft. This is one of the outstanding themes of the novel and perhaps is one of the most important investigations in the entire Quixote.


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