CliffsNotes on

Don Quixote

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About the Author

About the Novel

A Brief Synopsis
List of Characters

Chapter Summaries and Commentaries

The Author's Preface
Part One: Book One: Chapter I
Part One: Book One: Chapter II
Part One: Book One: Chapter III
Part One: Book One: Chapter IV
Part One: Book One: Chapter V
Part One: Book One: Chapter VI
Part One: Book One: Chapter VII
Part One: Book One: Chapter VIII
Part One: Book Two: Chapter I
Part One: Book Two: Chapter II
Part One: Book Two: Chapter III
Part One: Book Two: Chapter IV
Part One: Book Two: Chapter V
Part One: Book Two: Chapter VI
Part One: Book Three: Chapter I
Part One: Book Three: Chapter II
Part One: Book Three: Chapter III
Part One: Book Three: Chapter IV
Part One: Book Three: Chapter V
Part One: Book Three: Chapter VI
Part One: Book Three: Chapter VII
Part One: Book Three: Chapter VIII
Part One: Book Three: Chapter IX
Part One: Book Three: Chapter X
Part One: Book Three: Chapter XI
Part One: Book Three: Chapter XII
Part One: Book Three: Chapter XIII
Part One: Book Four: Chapter I
Part One: Book Four: Chapter II
Part One: Book Four: Chapter III
Part One: Book Four: Chapter IV
Part One: Book Four: Chapter V
Part One: Book Four: Chapter VI
Part One: Book Four: Chapter VII
Part One: Book Four: Chapter VIII
Part One: Book Four: Chapter IX
Part One: Book Four: Chapter X
Part One: Book Four: Chapter XI
Part One: Book Four: Chapter XII
Part One: Book Four: Chapter XIII
Part One: Book Four: Chapter XIV
Part One: Book Four: Chapter XV
Part One: Book Four: Chapter XVI
Part One: Book Four: Chapter XVII
Part One: Book Four: Chapter XVIII
Part One: Book Four: Chapter XIX
Part One: Book Four: Chapter XX
Part One: Book Four: Chapter XXI
Part One: Book Four: Chapter XXII
Part One: Book Four: Chapter XXIII
Part One: Book Four: Chapter XXIV
Part One: Book Four: Chapter XXV
Part Two: The Author's Preface
Part Two: Chapter I
Part Two: Chapter II
Part Two: Chapter III
Part Two: Chapter IV
Part Two: Chapter V
Part Two: Chapter VI
Part Two: Chapter VII
Part Two: Chapter VIII
Part Two: Chapter IX
Part Two: Chapter X
Part Two: Chapter XI
Part Two: Chapter XII
Part Two: Chapter XIII
Part Two: Chapter XIV
Part Two: Chapter XV
Part Two: Chapter XVI
Part Two: Chapter XVII
Part Two: Chapter XVIII
Part Two: Chapter XIX
Part Two: Chapter XX
Part Two: Chapter XXI
Part Two: Chapter XXII
Part Two: Chapter XXIII
Part Two: Chapter XXIV
Part Two: Chapter XXV
Part Two: Chapter XXVI
Part Two: Chapter XXVII
Part Two: Chapter XXVIII
Part Two: Chapter XXIX
Part Two: Chapter XXX
Part Two: Chapter XXXI
Part Two: Chapter XXXII
Part Two: Chapter XXXIII
Part Two: Chapter XXXIV
Part Two: Chapter XXXV
Part Two: Chapter XXXVI
Part Two: Chapter XXXVII
Part Two: Chapter XXXVIII
Part Two: Chapter XXXIX
Part Two: Chapter XL
Part Two: Chapter XLI
Part Two: Chapter XLII
Part Two: Chapter XLIII
Part Two: Chapter XLIV
Part Two: Chapter XLV
Part Two: Chapter XLVI
Part Two: Chapter XLVII
Part Two: Chapter XLVIII
Part Two: Chapter XLIX
Part Two: Chapter L
Part Two: Chapter LI
Part Two: Chapter LII
Part Two: Chapter LIII
Part Two: Chapter LIV
Part Two: Chapter LV
Part Two: Chapter LVI
Part Two: Chapter LVII
Part Two: Chapter LVIII
Part Two: Chapter LIX
Part Two: Chapter LX
Part Two: Chapter LXI
Part Two: Chapter LXII
Part Two: Chapter LXIII
Part Two: Chapter LXIV
Part Two: Chapter LXV
Part Two: Chapter LXVI
Part Two: Chapter LXVII
Part Two: Chapter LXVIII
Part Two: Chapter LXIX
Part Two: Chapter LXX
Part Two: Chapter LXXI
Part Two: Chapter LXXII
Part Two: Chapter LXXIII
Part Two: Chapter LXXIV

Critical Essays

Purpose of Don Quixote
Technique and Style
Characterization
Themes

Study Help

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Essay Topics and Review Questions

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Chapter Summaries and Commentaries

Part Two: Chapter XXIII

Of the Wonderful Things Which the Unparallelled Don Quixote Declared He Had Seen in the Deep Cave of Montesinos, the Greatness and Impossibility of Which Makes This Adventure Pass for Apocryphal.

Don Quixote tells his friends that, weary of hanging from the rope, he took rest on a spacious ledge about sixty feet down. Sleep overcame him, and he awoke to discover himself in the midst of a beautiful sun-flooded meadow. Before him stood a "royal and sumptuous palace" built of transparent crystal whose guardian is none other than Montesinos himself. Greeting Don Quixote by name, the old man told him that the enchanted knights and ladies who live here have long awaited his arrival. Montesinos showed him the still-living Durandarte, a knight whose dying wish was for Montesinos to deliver his heart as a present to his mistress Belerma. Belerma herself, with her waiting women, also passed before Don Quixote's eyes. More surprising, however, were the presence of the three country wenches, mounted on she-asses, who again ran away as the knight approached. One of them returned, begging Don Quixote to lend her six reals, for her mistress, Dulcinea, required money. At this amazing request, the knight gave her all he had, about four reals.

While the narrative continues, Sancho constantly interrupts. Impertinently refusing to believe what his master says, he suggests that this all took place in his head. Unruffled, Don Quixote says that there will come a time to prove to him of the reality of what he has seen, "the truth of which admits of no dispute."

Commentary

Montesinos, a historic character, is a knight who figures in a number of Spanish ballads dealing with Carolingian legends. He is described as having followed the bloody trail of his friend and cousin, the knight Durandarte, after the battle at Roncesvalles. When Montesinos finds his friend, Durandarte's last breath is expelled in asking that his heart be cut out and carried to his lady Belerma, whom he served for seven years; Montesinos fulfils this request. This extravagant story achieved great popularity and was later turned into a parody by Gongora. Actually, a cave in La Mancha nearby a ruined castle was known as Montesinos' Cave, and it is hardly more fitting than to have Don Quixote descend into this gorge.

In this underworld dream sequence, Don Quixote allows himself to express qualities of common sense and prosaic reasonableness which are parts of his inner consciousness. He questions Montesinos, first of all, to confirm some parts of the ballad. The old man corrects certain details. It was with a sharp poniard, not a dagger, he says, that he cut out the heart of Durandarte. Don Quixote also inquires why the supposedly beautiful Belerma has such yellow skin, as well as other blemishes. In another part of the dream, one of the wenches returns to the knight to ask for some money for Dulcinea. Cervantes' gentle suggestion, or Don Quixote's subconscious cynicism, is a quiet insinuation that beautiful ladies of Madrid and Seville must often be in the habit of asking money from their elderly gallants. Perhaps in this dreamy moment of truth, Don Quixote expresses his skepticism that a young girl like Dulcinea would only reply to his advances for mercenary reasons. Thus, in a situation completely freed of reality, Don Quixote reveals his subconscious Alonso Quixano qualities: matter-of-factness, prosaic interest in concrete details, vulgarization of his relation to Aldonza-Dulcinea. To continue even further, perhaps this inherent dullness in the brave hidalgo's character was in itself an impetus that led to his extravagant life of fantasy and escapism.

Cervantes, however, knew nothing of psychoanalysis, but it can be argued that his love of innuendo and double meanings and his general traits of suggestiveness and vagueness led him into working his materials into as many levels as possible.


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