CliffsNotes on

Don Quixote

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About the Author

About the Novel

A Brief Synopsis
List of Characters

Chapter Summaries and Commentaries

The Author's Preface
Part One: Book One: Chapter I
Part One: Book One: Chapter II
Part One: Book One: Chapter III
Part One: Book One: Chapter IV
Part One: Book One: Chapter V
Part One: Book One: Chapter VI
Part One: Book One: Chapter VII
Part One: Book One: Chapter VIII
Part One: Book Two: Chapter I
Part One: Book Two: Chapter II
Part One: Book Two: Chapter III
Part One: Book Two: Chapter IV
Part One: Book Two: Chapter V
Part One: Book Two: Chapter VI
Part One: Book Three: Chapter I
Part One: Book Three: Chapter II
Part One: Book Three: Chapter III
Part One: Book Three: Chapter IV
Part One: Book Three: Chapter V
Part One: Book Three: Chapter VI
Part One: Book Three: Chapter VII
Part One: Book Three: Chapter VIII
Part One: Book Three: Chapter IX
Part One: Book Three: Chapter X
Part One: Book Three: Chapter XI
Part One: Book Three: Chapter XII
Part One: Book Three: Chapter XIII
Part One: Book Four: Chapter I
Part One: Book Four: Chapter II
Part One: Book Four: Chapter III
Part One: Book Four: Chapter IV
Part One: Book Four: Chapter V
Part One: Book Four: Chapter VI
Part One: Book Four: Chapter VII
Part One: Book Four: Chapter VIII
Part One: Book Four: Chapter IX
Part One: Book Four: Chapter X
Part One: Book Four: Chapter XI
Part One: Book Four: Chapter XII
Part One: Book Four: Chapter XIII
Part One: Book Four: Chapter XIV
Part One: Book Four: Chapter XV
Part One: Book Four: Chapter XVI
Part One: Book Four: Chapter XVII
Part One: Book Four: Chapter XVIII
Part One: Book Four: Chapter XIX
Part One: Book Four: Chapter XX
Part One: Book Four: Chapter XXI
Part One: Book Four: Chapter XXII
Part One: Book Four: Chapter XXIII
Part One: Book Four: Chapter XXIV
Part One: Book Four: Chapter XXV
Part Two: The Author's Preface
Part Two: Chapter I
Part Two: Chapter II
Part Two: Chapter III
Part Two: Chapter IV
Part Two: Chapter V
Part Two: Chapter VI
Part Two: Chapter VII
Part Two: Chapter VIII
Part Two: Chapter IX
Part Two: Chapter X
Part Two: Chapter XI
Part Two: Chapter XII
Part Two: Chapter XIII
Part Two: Chapter XIV
Part Two: Chapter XV
Part Two: Chapter XVI
Part Two: Chapter XVII
Part Two: Chapter XVIII
Part Two: Chapter XIX
Part Two: Chapter XX
Part Two: Chapter XXI
Part Two: Chapter XXII
Part Two: Chapter XXIII
Part Two: Chapter XXIV
Part Two: Chapter XXV
Part Two: Chapter XXVI
Part Two: Chapter XXVII
Part Two: Chapter XXVIII
Part Two: Chapter XXIX
Part Two: Chapter XXX
Part Two: Chapter XXXI
Part Two: Chapter XXXII
Part Two: Chapter XXXIII
Part Two: Chapter XXXIV
Part Two: Chapter XXXV
Part Two: Chapter XXXVI
Part Two: Chapter XXXVII
Part Two: Chapter XXXVIII
Part Two: Chapter XXXIX
Part Two: Chapter XL
Part Two: Chapter XLI
Part Two: Chapter XLII
Part Two: Chapter XLIII
Part Two: Chapter XLIV
Part Two: Chapter XLV
Part Two: Chapter XLVI
Part Two: Chapter XLVII
Part Two: Chapter XLVIII
Part Two: Chapter XLIX
Part Two: Chapter L
Part Two: Chapter LI
Part Two: Chapter LII
Part Two: Chapter LIII
Part Two: Chapter LIV
Part Two: Chapter LV
Part Two: Chapter LVI
Part Two: Chapter LVII
Part Two: Chapter LVIII
Part Two: Chapter LIX
Part Two: Chapter LX
Part Two: Chapter LXI
Part Two: Chapter LXII
Part Two: Chapter LXIII
Part Two: Chapter LXIV
Part Two: Chapter LXV
Part Two: Chapter LXVI
Part Two: Chapter LXVII
Part Two: Chapter LXVIII
Part Two: Chapter LXIX
Part Two: Chapter LXX
Part Two: Chapter LXXI
Part Two: Chapter LXXII
Part Two: Chapter LXXIII
Part Two: Chapter LXXIV

Critical Essays

Purpose of Don Quixote
Technique and Style
Characterization
Themes

Study Help

Quiz
Essay Topics and Review Questions

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Chapter Summaries and Commentaries

Part One: Book Three: Chapter XI

Of the Strange Things That Happened to the Valiant Knight of La Mancha in the Black Mountain: and of the Penance He Did There, in Imitation of Beltenbros, or the Lovely Obscure.

As Sancho and Don Quixote ride further into the mountains, the knight reveals his plans. Sancho must go to Toboso and deliver a letter to the Lady Dulcinea. In the meantime, Don Quixote will do penance in the wilderness, after the manner of knights-errant who have been too-long absent from their mistresses. He describes to Sancho how he will express his madness and despair: "Thou wilt see me throw away my armor, tear my clothes, knock my head against the rocks, and do a thousand other things of that kind which will fill thee with astonishment." His squire begs that he be less harsh with himself, but the Don is adamant. Writing the letter, Don Quixote confesses that he hardly knows Dulcinea. Sancho is surprised that his master's ideal mistress is none other than the daughter of Lorenzo Corchuleo, a neighbor of his. He chatters about the wench's virtues and her peasant habits, and Don Quixote stops him by relating a short parable. "It does not matter what her background is," the knight concludes. "Dulcinea del Toboso, as to the use I make of her, is equal to the greatest princess in the world." He continues by saying that none of the ladies whose praises resound in ballads, novels, poems, or prayers have ever been made of flesh and blood—"The greatest part of them were nothing but the mere imaginations of the poets for a groundwork to exercise their wits upon." Sancho, with tears at the parting, prepares to commence his journey.

Commentary

Don Quixote explains to Sancho the real identity of his peerless mistress, informing the ignorant squire that the sublimity of a ladylove has little to do with her actual person. At the same time, the madman reveals the consciousness of Alonso Quixano, who bore a twelve-year-long love for a pretty peasant lass whom he saw on only four occasions. This unsatisfactory love may well have caused the hero to satisfy his romantic notions through books of chivalry. With his head full of "disordered notions," it follows that the hidalgo's humble—and frustrated—quest for immortality through fathering Aldonza Lorenzo's children can be sublimated into a knight's search for glory in the name of Dulcinea. Cervantes thus draws a relationship between the buried spirit of Alonso Quixano the Good and the militant Don Quixote; between the knight's knowledge of real identities and the idealizations he consciously forms; between, finally, the madness of the inspired knight and the feigned madness of the disappointed lover.

Just as religious fanatics strive to purify their souls of sinfulness by undergoing severe hardships, so may Don Quixote undergo penance to refine the common soul of Alonso Quixano. Another reason for the madness in the wilderness is Don Quixote's desire to prepare himself, like the fasting knights of old, for further adventures. Cervantes, in fact, has finished with the hero's burlesque adventures proving his character, and after this breathing spell the pattern of the knight's encounters changes. The hero is set in the role of laughingstock, not merely to the author, but to the world at large, and it is this theme that dominates in the second part of the history of the Manchegan knight.

At the same time that he provides hints of Don Quixote's deeper nature, Cervantes also develops the relationship between master and squire. More than ever do they depend on each other, and they weep at the separation. Not only is the penance a period of loneliness for the hero, but he misses Sancho's office of securing food and gets quite thin from poor nourishment. On the other hand, Sancho has so much relied on his master's intellect that he is more foolish than ever when alone. Completely forgetting to carry with him the carefully written letter and the order for three ass-colts—absences symbolic of the literary Don himself—Sancho is so helpless that the curate and the barber take advantage of him to play a trick on Don Quixote in order to bring him home for a rest cure.


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