CliffsNotes on

Don Quixote

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About the Author

About the Novel

A Brief Synopsis
List of Characters

Chapter Summaries and Commentaries

The Author's Preface
Part One: Book One: Chapter I
Part One: Book One: Chapter II
Part One: Book One: Chapter III
Part One: Book One: Chapter IV
Part One: Book One: Chapter V
Part One: Book One: Chapter VI
Part One: Book One: Chapter VII
Part One: Book One: Chapter VIII
Part One: Book Two: Chapter I
Part One: Book Two: Chapter II
Part One: Book Two: Chapter III
Part One: Book Two: Chapter IV
Part One: Book Two: Chapter V
Part One: Book Two: Chapter VI
Part One: Book Three: Chapter I
Part One: Book Three: Chapter II
Part One: Book Three: Chapter III
Part One: Book Three: Chapter IV
Part One: Book Three: Chapter V
Part One: Book Three: Chapter VI
Part One: Book Three: Chapter VII
Part One: Book Three: Chapter VIII
Part One: Book Three: Chapter IX
Part One: Book Three: Chapter X
Part One: Book Three: Chapter XI
Part One: Book Three: Chapter XII
Part One: Book Three: Chapter XIII
Part One: Book Four: Chapter I
Part One: Book Four: Chapter II
Part One: Book Four: Chapter III
Part One: Book Four: Chapter IV
Part One: Book Four: Chapter V
Part One: Book Four: Chapter VI
Part One: Book Four: Chapter VII
Part One: Book Four: Chapter VIII
Part One: Book Four: Chapter IX
Part One: Book Four: Chapter X
Part One: Book Four: Chapter XI
Part One: Book Four: Chapter XII
Part One: Book Four: Chapter XIII
Part One: Book Four: Chapter XIV
Part One: Book Four: Chapter XV
Part One: Book Four: Chapter XVI
Part One: Book Four: Chapter XVII
Part One: Book Four: Chapter XVIII
Part One: Book Four: Chapter XIX
Part One: Book Four: Chapter XX
Part One: Book Four: Chapter XXI
Part One: Book Four: Chapter XXII
Part One: Book Four: Chapter XXIII
Part One: Book Four: Chapter XXIV
Part One: Book Four: Chapter XXV
Part Two: The Author's Preface
Part Two: Chapter I
Part Two: Chapter II
Part Two: Chapter III
Part Two: Chapter IV
Part Two: Chapter V
Part Two: Chapter VI
Part Two: Chapter VII
Part Two: Chapter VIII
Part Two: Chapter IX
Part Two: Chapter X
Part Two: Chapter XI
Part Two: Chapter XII
Part Two: Chapter XIII
Part Two: Chapter XIV
Part Two: Chapter XV
Part Two: Chapter XVI
Part Two: Chapter XVII
Part Two: Chapter XVIII
Part Two: Chapter XIX
Part Two: Chapter XX
Part Two: Chapter XXI
Part Two: Chapter XXII
Part Two: Chapter XXIII
Part Two: Chapter XXIV
Part Two: Chapter XXV
Part Two: Chapter XXVI
Part Two: Chapter XXVII
Part Two: Chapter XXVIII
Part Two: Chapter XXIX
Part Two: Chapter XXX
Part Two: Chapter XXXI
Part Two: Chapter XXXII
Part Two: Chapter XXXIII
Part Two: Chapter XXXIV
Part Two: Chapter XXXV
Part Two: Chapter XXXVI
Part Two: Chapter XXXVII
Part Two: Chapter XXXVIII
Part Two: Chapter XXXIX
Part Two: Chapter XL
Part Two: Chapter XLI
Part Two: Chapter XLII
Part Two: Chapter XLIII
Part Two: Chapter XLIV
Part Two: Chapter XLV
Part Two: Chapter XLVI
Part Two: Chapter XLVII
Part Two: Chapter XLVIII
Part Two: Chapter XLIX
Part Two: Chapter L
Part Two: Chapter LI
Part Two: Chapter LII
Part Two: Chapter LIII
Part Two: Chapter LIV
Part Two: Chapter LV
Part Two: Chapter LVI
Part Two: Chapter LVII
Part Two: Chapter LVIII
Part Two: Chapter LIX
Part Two: Chapter LX
Part Two: Chapter LXI
Part Two: Chapter LXII
Part Two: Chapter LXIII
Part Two: Chapter LXIV
Part Two: Chapter LXV
Part Two: Chapter LXVI
Part Two: Chapter LXVII
Part Two: Chapter LXVIII
Part Two: Chapter LXIX
Part Two: Chapter LXX
Part Two: Chapter LXXI
Part Two: Chapter LXXII
Part Two: Chapter LXXIII
Part Two: Chapter LXXIV

Critical Essays

Purpose of Don Quixote
Technique and Style
Characterization
Themes

Study Help

Quiz
Essay Topics and Review Questions

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Chapter Summaries and Commentaries

Part One: Book Three: Chapter VI

Of a Wonderful Adventure Achieved by the Valorous Don Quixote de la Mancha; the Like Never Compassed with Less Danger by Any of the Most Famous Knights in the World.

Continuing their thirsty traveling through the night, Sancho and Don Quixote hear the cheering sounds of a waterfall nearby, but they are filled with horror when they hear accompanying thuds of heavy, regular blows. Sancho begs his master to investigate the strange noises only in the daylight, but Don Quixote is brave and firm, charging his squire to tighten Rosinante's girth in readiness for the attack. Sancho, however, ties the horse's back legs together so that he leaps forward at the spur but cannot move further. "Heaven is on my side," declares Sancho, "So you must have patience until it is light." At dawn, Sancho quietly unties Rosinante's legs, and they ride closer to the noise. Don Quixote is "ready to drop from his horse with shame and confusion" for the heavy thuds are merely the noises of six fulling-mill hammers pounding out the cloth. Sancho laughs so hard that Don Quixote strikes him in anger. "See here, Mr. Jester," he says, "If these, instead of fulling hammers had been some perilous adventure, have I not, think you, shown the courage required for the attempt and achievement." Sancho begs pardon and swears to "always stand in awe of you and honor you as my Lord and Master."

Commentary

This chapter not only describes again how the imaginative weapons of Don Quixote overcome obstacles, but how the relationship between master and squire develops. Sancho, anxious to imitate his master, thinks that tying Rosinante's legs and then saying it is the will of Providence to keep them in one place are typical Don Quixote rationalizations. At this point, however, Sancho is merely an imitative clown, transforming reality by tricks, and not by the force of faith. Until he becomes a bit "quixotized," he will still have a muddled notion of the difference between truth and illusion.

Don Quixote, on the other hand, uses no tricks at all. Understanding everything with his imagination, he is capable of overcoming any danger because the appearance of the obstacle is inconsequential. Fulling-mills and giants are conquered by efforts of the imagination, by a strong-willed attack of ideals and ideas. Sancho, fearful and anxious in the dark, huddles close to his visionary master because he cannot see the danger, but he is ready to mock the hero when there is nothing to fear. In other words, Sancho and the rest of common men depend on men of ideas when they are threatened with something their senses cannot grasp. The heroes and leaders of men are always those who impose their will on reality, who bend events according to the idea. Reality, to Don Quixote, is therefore an internal quality, and he renounces this strength of perspective only when at the point of death.


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