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Death Comes for the Archbishop

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Book Summary

Willa Cather Biography

Early Years
Education and Early Work
Cather the Novelist

About Death Comes for the Archbishop

Summary and Analysis by Chapter

Prologue: At Rome
Book 1: The Vicar Apostolic: Chapter 1
Book 1: The Vicar Apostolic: Chapter 2
Book 1: The Vicar Apostolic: Chapter 3
Book 1: The Vicar Apostolic: Chapter 4
Book 2: Missionary Journeys: Chapter 1
Book 2: Missionary Journeys: Chapter 2
Book 3: The Mass at Acoma: Chapter 1
Book 3: The Mass at Acoma: Chapter 2
Book 3: The Mass at Acoma: Chapter 3
Book 3: The Mass at Acoma: Chapter 4
Book 4: Snake Root: Chapter 1
Book 4: Snake Root: Chapter 2
Book 5: Padre Martinez: Chapter 1
Book 5: Padre Martinez: Chapter 2
Book 6: Dona Isabella: Chapter 1
Book 6: Dona Isabella: Chapter 2
Book 7: The Great Diocese: Chapter 1
Book 7: The Great Diocese: Chapter 2
Book 7: The Great Diocese: Chapter 3
Book 7: The Great Diocese: Chapter 4
Book 8: Gold Under Pikes Peak: Chapter 1
Book 8: Gold Under Pikes Peak: Chapter 2
Book 8: Gold Under Pikes Peak: Chapter 3
Book 9: Death Comes for the Archbishop: Chapters 1–8

Character List

Character Map

Character Analysis

Jean Marie Latour
Joseph Vaillant
Kit Carson
Padre Gallegos, Fray Baltazar Montoya, Padre Marino Lucero, and Antonio Joseph Martinez
Don Antonio and Dona Isabella Olivares
Philomene, Magdalena, and Inez Olivares
Jacinto, Eusabio, Benito, and Manuelito

Critical Essays

Major Themes in Death Comes for the Archbishop
Death Comes for the Archbishop as a Catholic Novel

Study and Homework Help

Full Glossary for Death Comes for the Archbishop
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Summary and Analysis by Chapter

Book 8: Gold Under Pikes Peak: Chapter 3

It takes a month to build Vaillant's wagon. Latour believes this will be his final parting with his good friend. Vaillant believes Divine Providence brought him back to Santa Fe just in time for him to receive orders to Denver, but Latour confesses he brought Vaillant back because he was lonely for his company. Vaillant realizes how difficult it is for Latour to make friends.

When Vaillant tells Latour that he is taking Contento with him to Denver, Latour tells him to take Angelica as well, because the mules will not understand why they must be separated. His friend's consideration for the animals' relationship causes Vaillant to cry, dropping a tear on the letter he is writing.

Vaillant leaves the next day with Sabino and his oldest son. Latour rides part of the way with him, bids him goodbye, and rides back alone with his thoughts of solitude. But he is filled with a presence when he enters his study that brings him peace. He believes the presence to be Mary, the Queen of Heaven. The people of Santa Fe make elaborate jewelry and clothing for a wooden figure of Mary. Latour realizes that the Mexicans display their devotion through art, much like people of other cultures and civilizations. Even before the birth of Christ, pagan artists tried to "achieve the image of a goddess who should yet be a woman." The Italian Renaissance artists Titian and Raphael did likewise.


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