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Death Comes for the Archbishop

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Book Summary

Willa Cather Biography

Early Years
Education and Early Work
Cather the Novelist

About Death Comes for the Archbishop

Summary and Analysis by Chapter

Prologue: At Rome
Book 1: The Vicar Apostolic: Chapter 1
Book 1: The Vicar Apostolic: Chapter 2
Book 1: The Vicar Apostolic: Chapter 3
Book 1: The Vicar Apostolic: Chapter 4
Book 2: Missionary Journeys: Chapter 1
Book 2: Missionary Journeys: Chapter 2
Book 3: The Mass at Acoma: Chapter 1
Book 3: The Mass at Acoma: Chapter 2
Book 3: The Mass at Acoma: Chapter 3
Book 3: The Mass at Acoma: Chapter 4
Book 4: Snake Root: Chapter 1
Book 4: Snake Root: Chapter 2
Book 5: Padre Martinez: Chapter 1
Book 5: Padre Martinez: Chapter 2
Book 6: Dona Isabella: Chapter 1
Book 6: Dona Isabella: Chapter 2
Book 7: The Great Diocese: Chapter 1
Book 7: The Great Diocese: Chapter 2
Book 7: The Great Diocese: Chapter 3
Book 7: The Great Diocese: Chapter 4
Book 8: Gold Under Pikes Peak: Chapter 1
Book 8: Gold Under Pikes Peak: Chapter 2
Book 8: Gold Under Pikes Peak: Chapter 3
Book 9: Death Comes for the Archbishop: Chapters 1–8

Character List

Character Map

Character Analysis

Jean Marie Latour
Joseph Vaillant
Kit Carson
Padre Gallegos, Fray Baltazar Montoya, Padre Marino Lucero, and Antonio Joseph Martinez
Don Antonio and Dona Isabella Olivares
Philomene, Magdalena, and Inez Olivares
Jacinto, Eusabio, Benito, and Manuelito

Critical Essays

Major Themes in Death Comes for the Archbishop
Death Comes for the Archbishop as a Catholic Novel

Study and Homework Help

Full Glossary for Death Comes for the Archbishop
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Summary and Analysis by Chapter

Book 1: The Vicar Apostolic: Chapter 4

Cather once again returns to the theme of tradition. The bell dates from 1356, and the tradition of the Angelus derives from the time of the Crusades. The legend of the Virgin of Guadalupe dates from 1531. Both traditions extend from the Old World to the New World, where Latour and Vaillant are charged with continuing the traditions of the Catholic Church.

Vaillant refers to Divine love as a vision corrective for humans. Much like the appearance of the cruciform juniper in Chapter 1, he believes that miracles can be seen and heard from a refined perspective that recognizes the miracles that surround humanity at all times.

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