CliffsNotes on

Death Comes for the Archbishop

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Life and Background of the Author

Family Background
Education and Early Work
Cather the Novelist

About the Novel

Introduction to the Novel
A Brief Synopsis
List of Characters
Character Map

Summaries and Commentaries

Prologue: At Rome
Book One: The Vicar Apostolic: Chapter 1
Book One: The Vicar Apostolic: Chapter 2
Book One: The Vicar Apostolic: Chapter 3
Book One: The Vicar Apostolic: Chapter 4
Book Two: Missionary Journeys: Chapter 1
Book Two: Missionary Journeys: Chapter 2
Book Three: The Mass at Acoma: Chapter 1
Book Three: The Mass at Acoma: Chapter 2
Book Three: The Mass at Acoma: Chapter 3
Book Three: The Mass at Acoma: Chapter 4
Book Four: Snake Root: Chapter 1
Book Four: Snake Root: Chapter 2
Book Five: Padre Martinez: Chapter 1
Book Five: Padre Martinez: Chapter 2
Book Six: Dona Isabella: Chapter 1
Book Six: Dona Isabella: Chapter 2
Book Seven: The Great Diocese: Chapter 1
Book Seven: The Great Diocese: Chapter 2
Book Seven: The Great Diocese: Chapter 3
Book Seven: The Great Diocese: Chapter 4
Book Eight: Gold Under Pikes Peak: Chapter 1
Book Eight: Gold Under Pikes Peak: Chapter 2
Book Eight: Gold Under Pikes Peak: Chapter 3
Book Nine: Death Comes for the Archbishop: Chapters 1–8

Character Analyses

Jean Marie Latour
Joseph Vaillant
Kit Carson
Padre Gallegos, Fray Baltazar Montoya, Padre Marino Lucero, and Antonio Joseph Martinez
Don Antonio and Dona Isabella Olivares
Philomene, Magdalena, and Inez Olivares
Jacinto, Eusabio, Benito, and Manuelito

Critical Essays

Major Themes in Death Comes for the Archbishop
Death Comes for the Archbishop as a Catholic Novel

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Life and Background of the Author

Cather the Novelist

In 1915, Cather published her third novel, The Song of the Lark, which relates the story of a Colorado woman who matures into a major opera star. Many critics consider this novel to be Cather’s artistic manifesto in that the novel’s protagonist, Thea Kronborg, chooses an artistic career over marriage.

In 1916, Cather traveled extensively throughout Wyoming and New Mexico. During this trip, she resolved to simplify her writing by stripping away unnecessary descriptions. She employed this resolution in her novel My Ántonia, which relates the story of a Czechoslovakian woman who endures scandal and unrequited love to find peace in rural Nebraska. Along with Death Comes for the Archbishop, My Ántonia is considered among Cather’s finest fiction.

Cather’s next novel, One of Ours, was awarded the 1922 Pulitzer Prize. She followed it with the novels A Lost Lady and The Professor’s House, which critics claim reveal Cather’s dislike of Jazz Age materialism and relaxed morality. This dislike is credited for Cather’s turning to historical subject matter for her next novels, Death Comes for the Archbishop (1927), Shadows on the Rock (1931), and Sapphira and the Slave Girl (1940).

By the time she died on April 24, 1947, from a cerebral hemorrhage, Willa Cather had published twelve novels, fifty-eight short stories, and several collections of essays. She was awarded the Pulitzer Prize, the Prix Femina Americain, and a National Institute of Arts and Letters gold medal. She was a member of the American Academy of Arts and Letters.


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