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Death Comes for the Archbishop

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Life and Background of the Author

Family Background
Education and Early Work
Cather the Novelist

About the Novel

Introduction to the Novel
A Brief Synopsis
List of Characters
Character Map

Summaries and Commentaries

Prologue: At Rome
Book One: The Vicar Apostolic: Chapter 1
Book One: The Vicar Apostolic: Chapter 2
Book One: The Vicar Apostolic: Chapter 3
Book One: The Vicar Apostolic: Chapter 4
Book Two: Missionary Journeys: Chapter 1
Book Two: Missionary Journeys: Chapter 2
Book Three: The Mass at Acoma: Chapter 1
Book Three: The Mass at Acoma: Chapter 2
Book Three: The Mass at Acoma: Chapter 3
Book Three: The Mass at Acoma: Chapter 4
Book Four: Snake Root: Chapter 1
Book Four: Snake Root: Chapter 2
Book Five: Padre Martinez: Chapter 1
Book Five: Padre Martinez: Chapter 2
Book Six: Dona Isabella: Chapter 1
Book Six: Dona Isabella: Chapter 2
Book Seven: The Great Diocese: Chapter 1
Book Seven: The Great Diocese: Chapter 2
Book Seven: The Great Diocese: Chapter 3
Book Seven: The Great Diocese: Chapter 4
Book Eight: Gold Under Pikes Peak: Chapter 1
Book Eight: Gold Under Pikes Peak: Chapter 2
Book Eight: Gold Under Pikes Peak: Chapter 3
Book Nine: Death Comes for the Archbishop: Chapters 1–8

Character Analyses

Jean Marie Latour
Joseph Vaillant
Kit Carson
Padre Gallegos, Fray Baltazar Montoya, Padre Marino Lucero, and Antonio Joseph Martinez
Don Antonio and Dona Isabella Olivares
Philomene, Magdalena, and Inez Olivares
Jacinto, Eusabio, Benito, and Manuelito

Critical Essays

Major Themes in Death Comes for the Archbishop
Death Comes for the Archbishop as a Catholic Novel

Study Help

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Character Analyses

Jean Marie Latour

Cather goes to great lengths to depict Latour as a character subject to humanity and human foibles, rather than as an idealized and unbelievably unrealistic symbol of moral and religious rectitude. In so doing, she creates a fully rounded individual who is more believable, and whose accomplishments are more remarkable for having been performed by a normal human being who has feelings of loneliness and insecurity, as well as crises of faith.

Latour is introverted and finds it difficult to make connections with other people. He is drawn into a friendship with Joseph Vaillant as a Seminary student because Vaillant possesses the qualities Latour lacks. The two forge a close friendship that endures until Vaillant’s death. Whereas Latour finds it difficult to make new friends, he is a loyal friend who nevertheless places the needs of his church and faith ahead of all other considerations.

Latour’s reticence allows him to present, as Jacinto takes note, one face to all people. Indeed, Latour admires all the people in his diocese, whether Indian, Mexican, Spanish, or American. He neither bows nor condescends to anyone. He is sympathetic to the Navajo cause but is aware that he cannot impact government’s policies as a Catholic; he is pleased when those policies are reversed, allowing the Navajos to return to their sacred lands. He is friends with Kit Carson, despite the frontiersman’s methodology in forcing the Navajos from their lands.

Latour believes in growing fruits and gardens, and he desires a better diet and medical help for the Mexicans and Indians. He believes miracles occur in accordance with natural law, allowing him to witness God’s hand in nature and human behavior. This is consistent with Latour’s hobby as a gardener; he nurtures his gardens as he nurtures the spirituality of his diocese.

Latour’s assessment of his accomplishments reveals a deep-seated humility. He has reclaimed a diocese, built a cathedral, quietly inspired his parishes, and championed the causes of Mexicans, African Americans, and Indians. He has contended successfully with the behaviors and subsequent schismatic movement of Martinez and Lucero. He nevertheless believes his accomplishments pale in comparison to Vaillant’s.


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