Because the abbé knew that one of his obscure station was not welcome at the home of the actress, he made an excuse and suggested that Candide come with him to visit a lady of quality in whose house he would learn much about Paris. And the abbé did conduct Candide and Martin to the lady's house, where a faro game was in progress. Voltaire described the play in sufficient detail — the tenseness of the players, the attempts to cheat, the characters of the players. So occupied were these people that no one greeted Candide and his companions. Meanwhile the abbé had secured the attention of the self-styled Marquise de Parolignac. (The name derives from paroli and refers to the practice of letting one's winnings ride on the next draw in a card game). She smiled at Candide and gave Martin a nod, and then she offered the youth a seat at the gambling table. Only two draws were required for him to lose 50,000 francs, but he appeared so unconcerned that the servants took him to be an English milord. Supper followed, with the usual unintelligible chatter, witticisms, false rumors, bad reasoning, a little politics, a great deal of slander, and even some discourse on literature, most of it adversely critical, reference being made to the "enormous mass of abominable books." Particularly there was a fairly long discussion of what constituted a good tragedy by one especially impressive and apparently well-informed scholar. Candide thought that he must be another Pangloss, and he asked the man if he subscribed to the optimistic philosophy. The scholar did not — quite the contrary, for everything was going wrong in the country. He referred to widespread ignorance of rank and responsibility and the senseless quarrels — an endless war. "Jansenist against Molinist, Parliament against the Church, men of letters against their fellow writers, courtiers against courtiers, financiers against the people, wives against their husbands, relatives against relatives." The naive Candide again invoked the name of Pangloss and voiced his confidence that all was for the best, arguing that the apparent evil was no more than shadows in a beautiful picture. Martin could not restrain himself. "Your hanged philosopher was an arrogant jester," he exclaimed.
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