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Bleak House

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Book Summary

Charles Dickens Biography

About Bleak House

Summary, Analysis, and Original Text by Chapter

Chapter 1: In Chancery
Chapter 2: In Fashion
Chapter 3: A Process
Chapter 4: Telescopic Philanthropy
Chapter 5: A Morning Adventure
Chapter 6: Quite at Home
Chapter 7: The Ghost's Walk
Chapter 8: Covering a Multitude of Sins
Chapter 9: Signs and Tokens
Chapters 10–11: The Law Writer & Our Dead Brother
Chapter 12: On the Watch
Chapter 13: Esther's Narrative
Chapter 14: Deportment
Chapter 15: Bell Yard
Chapter 16: Tom-all-Alone's
Chapter 17: Esther's Narrative
Chapter 18: Lady Dedlock
Chapter 19: Moving On
Chapters 20–21: A New Lodger & The Smallweed Family
Chapter 22: Mr. Bucket
Chapter 23: Esther's Narrative
Chapter 24: An Appeal Case
Chapter 25: Mrs. Snagsby Sees It All
Chapter 26: Sharpshooters
Chapter 27: More Old Soldiers Than One
Chapter 28: The Ironmaster
Chapter 29: The Young Man
Chapter 30: Esther's Narrative
Chapter 31: Nurse and Patient
Chapter 32: The Appointed Time
Chapter 33: Interlopers
Chapter 34: A Turn of the Screw
Chapter 35: Esther's Narrative
Chapter 36: Chesney Wold
Chapter 37: Jarndyce and Jarndyce
Chapter 38: A Struggle
Chapter 39: Attorney and Client
Chapter 40: National and Domestic
Chapter 41: In Mr. Tulkinghorn's Room
Chapter 42: In Mr. Tulkinghorn's Chambers
Chapter 43: Esther's Narrative
Chapter 44: The Letter and the Answer
Chapter 45: In Trust
Chapter 46: Stop Him!
Chapter 47: Jo's Will
Chapter 48: Closing In
Chapter 49: Dutiful Friendship
Chapter 50: Esther's Narrative
Chapter 51: Enlightened
Chapter 52: Obstinacy
Chapters 53–54: The Track & Springing a Mine
Chapter 55: Flight
Chapter 56: Pursuit
Chapter 57: Esther's Narrative
Chapter 58: A Wintry Day and Night
Chapter 59: Esther's Narrative
Chapter 60: Perspective
Chapter 61: A Discovery
Chapter 62: Another Discovery
Chapter 63: Steel and Iron
Chapter 64: Esther's Narrative
Chapters 65–66: Beginning in the World & Down in Lincolnshire
Chapter 67: The Close of Esther's Narrative

Character List

Character Analysis

Lady Dedlock
Esther Summerson
John Jarndyce
Mr. Tulkinghorn
Richard Carstone
Ada Clare
Sir Leicester Dedlock

Critical Essays

Characterization in Bleak House
Theme of Bleak House
Technique and Style in Bleak House
Plot of Bleak House
Setting of Bleak House
The Fog
Symbolism in Bleak House

Study and Homework Help

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Critical Essays

Theme of Bleak House

Like every sizeable work of fiction, Bleak House is built around several themes (also called motifs) — that is, insights, concepts, attitudes, or simply explorations of certain aspects of human experience. A novel built very strongly around a clearly formulated and debatable or controversial theme is sometimes called a thesis novel (a "propaganda novel" is one type of thesis novel). Bleak House has a strong and obvious theme whose point may, in fact, be more debatable than Dickens realized; yet the book is not a thesis novel, or at least not a clear example of one. Foremost, Bleak House is a romance — affairs of the heart for Esther, Ada, and Caddy figure very prominently — and it is a murder mystery, as well.

In an artistically sound (well-constructed) book, all of the major and minor themes, or motifs, should be closely related and thus enhance the book's unity. The most obvious (yet not necessarily the ultimate) theme in Bleak House is that of the undeserved suffering created by the High Court of Chancery, in particular, and by venal, self-serving lawyers (like Tulkinghorn), in general. An example of a minor theme (also called a side theme) is Dickens' implied criticism of people who might be well intentioned but who neglect their homes and families in order to be (or try to be) charitable to distant people about whom they know little.

This novel, like many other works of Dickens, balances themes of social criticism with motifs dealing with the truths of personal experience. Esther Summerson, one of the principal characters, is relatively little affected by the deplorable workings of the Chancery Court. In the main, her story centers around her initiation into life — her discovery of her own identity, and the development of her emotional relationships with Lady Dedlock, John Jarndyce, Allan Wood-court, and others. The book's "happy ending" (happy for Esther, Ada, Allan, Mr. Jarndyce, and some others) is a theme itself. The ending implies that although the evil of the world is formidable, happiness remains a possibility, perhaps even a likelihood, especially for those who are both pure of heart and responsibly persevering. Another implied theme is that romance is important and is not necessarily an illusion or merely a momentary thing.


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