CliffsNotes on

Bleak House

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About the Author

About the Novel

Introduction
A Brief Synopsis
List of Characters

Summaries and Commentaries

Chapter 1: In Chancery
Chapter 2: In Fashion
Chapter 3: A Process
Chapter 4: Telescopic Philanthropy
Chapter 5: A Morning Adventure
Chapter 6: Quite at Home
Chapter 7: The Ghost's Walk
Chapter 8: Covering a Multitude of Sins
Chapter 9: Signs and Tokens
Chapters 10 & 11: The Law Writer & Our Dead Brother
Chapter 12: On the Watch
Chapter 13: Esther's Narrative
Chapter 14: Deportment
Chapter 15: Bell Yard
Chapter 16: Tom-all-Alone's
Chapter 17: Esther's Narrative
Chapter 18: Lady Dedlock
Chapter 19: Moving On
Chapters 20 & 21: A New Lodger & The Smallweed Family
Chapter 22: Mr. Bucket
Chapter 23: Esther's Narrative
Chapter 24: An Appeal Case
Chapter 25: Mrs. Snagsby Sees It All
Chapter 26: Sharpshooters
Chapter 27: More Old Soldiers Than One
Chapter 28: The Ironmaster
Chapter 29: The Young Man
Chapter 30: Esther's Narrative
Chapter 31: Nurse and Patient
Chapter 32: The Appointed Time
Chapter 33: Interlopers
Chapter 34: A Turn of the Screw
Chapter 35: Esther's Narrative
Chapter 36: Chesney Wold
Chapter 37: Jarndyce and Jarndyce
Chapter 38: A Struggle
Chapter 39: Attorney and Client
Chapter 40: National and Domestic
Chapter 41: In Mr. Tulkinghorn's Room
Chapter 42: In Mr. Tulkinghorn's Chambers
Chapter 43: Esther's Narrative
Chapter 44: The Letter and the Answer
Chapter 45: In Trust
Chapter 46: Stop Him!
Chapter 47: Jo's Will
Chapter 48: Closing In
Chapter 49: Dutiful Friendship
Chapter 50: Esther's Narrative
Chapter 51: Enlightened
Chapter 52: Obstinacy
Chapters 53 & 54: The Track & Springing a Mine
Chapter 55: Flight
Chapter 56: Pursuit
Chapter 57: Esther's Narrative
Chapter 58: A Wintry Day and Night
Chapter 59: Esther's Narrative
Chapter 60: Perspective
Chapter 61: A Discovery
Chapter 62: Another Discovery
Chapter 63: Steel and Iron
Chapter 64: Esther's Narrative
Chapters 65 & 66: Beginning in the World & Down in Lincolnshire
Chapter 67: The Close of Esther's Narrative

Character Analyses

Lady Dedlock
Esther Summerson
John Jarndyce
Mr. Tulkinghorn
Richard Carstone
Ada Clare
Sir Leicester Dedlock

Critical Essays

Characterization
Theme
Technique and Style
Plot
Setting
The Fog
Symbolism

Study Help

Quiz
Essay Topics And Review Questions

Cite this Literature Note

Would you rather . . . ?

Have a third arm.
Have hair down to your toes.
Have no nose.

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Character Analyses

John Jarndyce

Mr. Jarndyce is a "stock" character—that is, one seen repeatedly in literary works down through the ages and immediately recognizable. Such a character is sometimes a "rich uncle," sometimes a magnanimous aristocrat, sometimes a reformed miser like Dickens' Scrooge in A Christmas Carol. His mainspring is always generosity and the desire and ability to assist and protect anyone less fortunate than himself.

Stock or "type" characters can be quite interesting despite their familiarity. Shakespeare's big boastful fat man, Falstaff, is one of the most fascinating characters ever created even though he is a perfect type of the stock character known as the miles gloriosus, the braggart soldier, a type already familiar to playgoers in ancient Rome. Shakespeare, however, endows Falstaff with great individuality, making him a "round" character—that is, a highly developed stock character. Dickens makes no such endowment; as with Lady Dedlock, Tulkinghorn, Ada, Richard, and, in fact, virtually all of the characters in Bleak House, Mr. Jarndyce is viewed from the outside only. He is as obscurely benevolent as Tulkinghorn is obscurely malevolent. What made him so kindly and caring? Innate disposition? Circumstances? Something that happened to him at one particular time? We never learn. In fact, we learn considerably less about this individual in his concreteness than we do about Esther Summerson. And since he is even more purely, or at least more maturely, good than Esther is, we find ourselves nagged by another question: Can any human being be as faultless, as sensible, capable, self-controlled, and completely benevolent as John Jarndyce? Perhaps he is not quite flawless, not completely godlike; he does, once in a great while, make a slight mistake, and sometimes he becomes worried or upset ("the wind is from the east"). Do these tiny humanizing touches make him a credible character after all? And do we at some level perceive and appreciate him as the archetypal Good Father?


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