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Black Elk Speaks

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Book Summary

John G. Neihardt Biography

Early Years and Education
Family and Early Career
Career Highlights
Later Years

About Black Elk Speaks

Introduction
Historical Timeline

Summary and Analysis by Chapter

Chapter 1: The Offering of the Pipe
Chapter 2: Early Boyhood
Chapter 3: The Great Vision
Chapter 4: The Bison Hunt
Chapter 5: At the Soldiers' Town
Chapter 6: High Horse's Courting
Chapter 7: Wasichus in the Hills
Chapter 8: The Fight With Three Stars
Chapter 9: The Rubbing Out of Long Hair
Chapter 10: Walking the Black Road
Chapter 11: The Killing of Crazy Horse
Chapter 12: Grandmother's Land
Chapter 13: The Compelling Fear
Chapter 14: The Horse Dance
Chapter 15: The Dog Vision
Chapter 16: Heyoka Ceremony
Chapter 17: The First Cure
Chapter 18: The Powers of the Bison and the Elk
Chapter 19: Across the Big Water
Chapter 20: The Spirit Journey
Chapter 21: The Messiah
Chapter 22: Visions of the Other World
Chapter 23: Bad Trouble Coming
Chapter 24: The Butchering at Wounded Knee
Chapter 25: The End of the Dream
Author's Postscript

Character List

Character Analysis

Black Elk
Black Elk's Father
White Cow Sees
Standing Bear
Red Cloud
Crazy Horse
Sitting Bull
Whirlwind Chaser

Critical Essays

The Quest Journey of the Hero
Cultural Displacement in Black Elk Speaks
Relationship with Nature in Black Elk Speaks
Neihardt's Authorship

Study and Homework Help

Full Glossary for Black Elk Speaks
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About Black Elk Speaks

Introduction

In addition, Black Elk Speaks follows the plot line of traditional quest literature, exemplified in many epics and fairy tales. The central character of such literature is a hero whose search to fulfill his or her unique destiny forms the trajectory of the plot. The obstacles and the support that he or she encounters on the way form episodes of the plot. Most quest literature ends happily, with the hero having attained the desired goal, which is often something brought back to share with the community: In The Odyssey, for example, Odysseus brings the rule of law to the Greeks after surviving many dangers to travel home after the Trojan Wars. In this way, the hero of quest literature frequently coalesces the identity of the community and his or her character serves as a model. In the case of Black Elk Speaks, the quest ends tragically. He cannot attain his goal, not because of flaws in his own character, but because of uncontrollable external forces, namely the expansionist drive of white people. Despite the evidence of history, Black Elk does blame himself for his inability to enact the power his vision has granted him to affirm the identity of his people, to make the tree or sacred stick flower, to restore the sacred hoop of his nation.

But Black Elk Speaks is not just the story of one man; Black Elk himself says that if it were, it would not be a story worth telling. It is also the history of the Sioux during his lifetime. As a description of tribal life, the novel can be classified as an ethnography, an anthropological examination of the life practices of a particular cultural group. Black Elk's story is especially valuable from an ethnographic standpoint because it covers the Sioux's transition from pre-reservation to reservation life. His story includes descriptions of hunting, butchering, cooking practices, ceremonies and rituals related to hunting, healing, and fertility, especially the great sun dance; it depicts Indian behavior at war, in courtship, and at play; and it offers a privileged glimpse into the Indians' spiritual and social life. It records some of the central events of American history from the striking perspective of the Oglala Sioux: the Battle of Little Bighorn, the establishment of Indian agencies and reservations, the ghost dance phenomenon, and the Wounded Knee massacre.


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