CliffsNotes on

Atlas Shrugged

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About the Author

Personal Background
Career Highlights
Rand’s Philosophy: Objectivism

About the Novel

Introduction
A Brief Synopsis
List of Characters
Character Map

Chapter Summaries and Commentaries

Part One: Chapter 1—The Theme
Part One: Chapter 2—The Chain
Part One: Chapter 3—The Top and the Bottom
Part One: Chapter 4—The Immovable Movers
Part One: Chapter 5—The Climax of the d’Anconias
Part One: Chapter 6—The Non-Commercial
Part One: Chapter 7—The Exploiters and the Exploited
Part One: Chapter 8—The John Galt Line
Part One: Chapter 9—The Sacred and the Profane
Part One: Chapter 10—Wyatt’s Torch
Part Two: Chapter 1—The Man Who Belonged on Earth
Part Two: Chapter 2—The Aristocracy of Pull
Part Two: Chapter 3—White Blackmail
Part Two: Chapter 4—The Sanction of the Victim
Part Two: Chapter 5—Account Overdrawn
Part Two: Chapter 6—Miracle Metal
Part Two: Chapter 7—The Moratorium on Brains
Part Two: Chapter 8—By our Love
Part Two: Chapter 9—The Face Without Pain or Fear or Guilt
Part Two: Chapter 10—The Sign of the Dollar
Part Three: Chapter 1—Atlantis
Part Three: Chapter 2—The Utopia of Greed
Part Three: Chapter 3—Anti-Greed
Part Three: Chapter 4—Anti-Life
Part Three: Chapter 5—Their Brothers’ Keepers
Part Three: Chapter 6—The Concerto of Deliverance
Part Three: Chapter 7—“This is John Galt Speaking”
Part Three: Chapter 8—The Egoist
Part Three: Chapter 9—The Generator
Part Three: Chapter 10—In the Name of the Best Within Us

Character Analyses

John Galt
Dagny Taggart
Hank Rearden
Francisco d’Anconia
James Taggart

Critical Essays

The Role of the Mind in Human Life
The Role of the Common Man in Atlas Shrugged: The Eddie Willers Story

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Chapter Summaries and Commentaries

Part One: Chapter 2—The Chain

This chapter establishes several important points regarding Rearden and his family. Rearden is an innovative metallurgist who, by means of herculean labor over a ten-year period, created a new metal that will revolutionize industrial production. Like all great creative minds, Rearden is motivated by his love of the work (constructive action in the field of his choice). His work—both as a manufacturer of steel and as the inventor of Rearden Metal—is enormously beneficial to his fellow man every day. This fact pleases Rearden, but it’s not his driving motive. His motivation is the creative effort itself, his love of doing the work. The positive results that his fellow man accrues are a felicitous secondary consequence.

With the character of Hank Rearden, Ayn Rand makes a point regarding the nature of creative individuals. Rearden is similar to the great inventors, industrialists, writers, and artists of history. The Edisons and Wright Brothers, the Carnegies and Rockefellers, the Shakespeares and Michelangelos all created works that significantly benefitted mankind. Whether through the electric light or the airplane, the production of steel or oil, or the creation of brilliant poetry or sculpture, these great minds have been the benefactors of human society. But, like Rearden, these creative geniuses are driven primarily by their love of their work—by their passionate fascination with a specific field of endeavor. Rearden, and all original thinkers like him, are self-driven, self-motivated, and self-actualized. They aren’t slaves to others, nor do they think of themselves as such. Rearden is selfish, not in the conventional sense of his family’s accusations (meaning uncaring toward others) but in Ayn Rand’s sense of being motivated by his own values and happiness.

However, Rearden isn’t fully consistent in his commitment to himself. In his work, he has created an unremitting source of joy, but in his marriage and family life, he acts selflessly. His wife and family members are unemployed parasites who live on his generosity and criticize him relentlessly for his indifference toward them. Their accusations have only one purpose: to make Rearden feel guilty. They want him to feel guilty for his ability, initiative, success, money, pride, and happiness. Rearden’s family wants him to feel responsible for their feelings of helplessness, misery, and despair. If they can convince him, at some unspoken level, that he is the reason their lives are empty, Rearden will be malleable clay in their hands; they’ll be able to control him. Unfortunately, Rearden feels an obligation to them. Although they contribute nothing to his life but more burdens to carry, he believes that he must take care of them. Rearden has accepted the code of altruism, the moral theory that claims that the able have the responsibility of caring for the unable. Consequently, he gives to them endlessly without receiving anything positive in return, without asking for or expecting any reciprocation. Because of his self-sacrificial code of ethics regarding his personal relationships, Rearden tolerates the injustice that his family perpetrates on him.

Paul Larkin’s warning indicates that the press holds the same moral code as Rearden’s family. The press writes that Rearden is selfish and antisocial because he’s proud of his mills and runs them himself. The press resents the same things about Rearden—his creative drive, his success, and his pride—that his family does. But Rearden feels strong and laughs off the press attacks. His abundance of productive energy allows him to feel that he can afford to be tolerant of the media.

Larkin urges him to make sure that his protective man in Washington is loyal, but Rearden doesn’t take the warning seriously. Because he accepts the premise that a productive man is obligated to carry the needy on his back, Rearden doesn’t yet recognize the evil of those who attack him for his success. Consequently, he makes no effort to answer the vicious accusations of his family or the false smears of the press. At this point in the story, Rearden is a great man willing to bear guilt for his virtues and to accept the responsibility of supporting parasites who seek to control him. Rearden needs to be liberated from his acceptance of the self-sacrifice ethics.


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