During the three months that Anna and Vronsky travel abroad, they are sensitive to the reactions of their acquaintances. Avoiding contact with Russians, they discover that most people they know are tactful about their illegal relationship.
In this first period of freedom and rapid return to health, Anna feels "unpardonably happy," and her illness, the crisis of Karenin's attitude, leavetaking from her son, seem like parts of a fevered dream. Vronsky's presence is a continual delight for her. He is constantly attentive, showing no regret for sacrificing a promising career for her sake. Although seeking imperfections in Vronsky, Anna can find none.
Vronsky, however, soon learns that happiness "does not consist merely in the realizing of one's desires." After a period of contentment, he feels ennui. To fill sixteen leisure hours each day, he devotes himself to a succession of intense interests: first politics, then books, now painting. Although finding himself somewhat talented, his study and practice of art is brief. Vronsky realizes how shallow his talent is when they become acquainted with a Russian painter living in the same Italian town.
Abandoning his own portrait of Anna, he commissions the artist to paint her picture. Without this occupation, their life suddenly becomes boring. They decide to return to Russia and settle in the country. Anna plans to visit her son in Petersburg, while Vronsky intends business with his brother and divide their property.
