Levin enters the novel in a customary outburst of frankness and intense conviction. He tells Stiva he no longer participates in the Zemstvo, derides Oblonsky's bureaucratic job as a sinecure, and mentions Kitty. Immediately we learn of his main impulses: his quest for rural reform, his rejection of town life, and his passion for Kitty. Levin's character becomes further defined by a comparison to that of Koznyshev and Nicolai, and during his behavior in the episodes at the skating rink. The discussion between Levin and Stiva as they dine concentrates other themes of Anna Karenina which Tolstoy later defines, especially that of the conflict between monogamy and sexual freedom. Defending the undivided family, Levin cuts himself short as he recalls his own lapses. This moment keynotes the inconsistencies between personal ideals and personal behavior, a problem which Levin (and Tolstoy) struggles with and a problem which Stiva overlooks and rationalizes by his hedonism.
