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Summaries and Commentaries

Part 2: Chapters 4 to 11

Three social spheres form subdivisions of Petersburg's top society: One is composed of Karenin's government officials, another that of elderly, benevolent, pious women and their learned, ambitious husbands. Centered around the Countess Lydia lvanovna, and called the "conscience of St. Petersburg," this set is the one through which Karenin built his career and the one Anna has been closely connected with. Of late, feeling bored and ill at ease in this group whom she suspects of hypocrisy, Anna prefers the third circle of society proper--the world of balls and dinner parties. Her link with this group is through the Princess Betsy Tverskoy. In this circle, Anna and Vronsky frequently meet.

At one of Betsy's dinner parties, they are engrossed in talk. Anna begs him, if he loves her as he says, to leave her in peace. But Vronsky, his face radiant as he pleads his love, says it is impossible for him to live separately from her. Anna is unable to reply. As she looks into his face with eyes full of love, Vronsky is ecstatic.

Karenin arrives, and glancing toward his wife in her animated conversation with Vronsky, talks with Betsy. While seeing nothing improper or peculiar in his wife's behavior, Karenin notices the disapproval of the other guests. Leaving before dinner, though Anna insists to remain, Alexey Alexandrovitch resolves to mention the matter this evening.

Thinking it over, Karenin decides a talk is not such a simple matter after all. For the first time he tries to imagine what his wife thinks and feels, whether she could possibly stop loving him and turn to another man. The irrational and illogical feeling of jealousy throws him into confusion. Having always lived for his work in official spheres--a reflection of life--Karenin is horrified to suddenly confront life itself. While composing the speech he would deliver to Anna, he tries to soothe himself. But the sound of a carriage driving up, then the sound of her light step on the stairs, frightens him.

Anna pretends surprise at his request for a talk. Inwardly marvelling at her confident answers, she feels herself clad in an impenetrable armor of falsehood and wonders how easily she can lie. Karenin notices the change immediately. The depths of her soul, always open to him before, now close against him. Looking into her laughing eyes, alarming with their impenetrability, Karenin feels the utter uselessness and idleness of his words.

He warns that her thoughtlessness and indiscretion might cause herself to be spoken of in society, her "too animated conversation" with Count Vronsky this evening which attracted attention, to give an example. Anna responds cheerfully and seems sincere. Reminding her of her duty, for their lives have been joined "not by man but by God" Karenin says this concerns not himself, but Anna and their son. "I have nothing to say," she answers, restraining a smile, "and it really is bed-time."

Their talk marks a new life for Karenin and his wife. Though outwardly unchanged, their intimate relations completely alter. Forceful when dealing with affairs of state, Karenin feels helpless dealing with his wife. "Like an ox with bent head" he waits submissively for the axe which he feels raised above him.

Vronsky satisfies his one desire which absorbed him for nearly a year. Overcome by her sense of degradation, Anna sobs and does not speak. Her shame infects him, and he feels a "murderer's horror before the body of his victim." Realizing "the murderer must make use of what he has obtained by his crime" Anna sadly submits to his kisses for "these are what have been bought by my shame." "Everything is over," she says, "I have nothing but you left. Remember that."

The shame, rapture, and horror she feels upon stepping into a new life drives all other feelings from her. She has no calm left in which to reflect on what occurred, but in her dreams she has to face her ugly position. She dreams she is the wife of Alexey Alexandrovitch as well as of Alexey Vronsky. As both caress her, she explains to them, laughing, that what had seemed impossible before is now simply and satisfactorily arranged. Both men are contented and happy. Anna's dream is like a nightmare and she awakes from it in terror.


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