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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

T. S. Eliot (1888–1965)

Thomas Stearns Eliot, an American-born scholar, sophisticated eclectic, and poetic genius claimed by both the United States and England, is the twentieth century's touchstone author and critic. His monumental verse, written during a period of emotional turmoil and personal re-evaluation, gave voice to the post–World War I trauma that left a generation in doubt about the future of civilization. His style transcended previous literary movements with a surprising sense of humor. Both frustratingly obtuse and dazzlingly memorable, his masterworks redirect attention from the collapse of Edwardian respectability to the birth of modernism.

It seems inconceivable that so British a poet could be an American Midwesterner. The seventh son of brick maker Henry Ware Eliot and poet and biographer Charlotte Stearns, Tom Eliot was born in St. Louis, Missouri, on September 26, 1888. His distinguished intellectual family derived from immigrants from East Coker, Somersetshire, a setting that Eliot returns to in his poetry. After completing studies at Smith Academy and a year at Milton Academy, he turned his back on America and cultivated the air, grace, and mannerisms of a London dandy.

Heavily influenced by Irving Babbitt at Harvard, Eliot earned a B.A. in literature and an M.A. in philosophy and Sanskrit, all in four years. To increase his fluency in French, he studied for a year at the Sorbonne in Paris, then returned to Harvard for doctoral work in philosophy. Eliot had traveled in Germany and begun a doctoral dissertation at Merton College, Oxford, when he married Vivienne Haigh-Wood. As World War I engulfed Europe, health problems kept him out of the army.


About the Poet: 1 2 3
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