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American Poets of the 20th Century

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How to Analyze Poetry

Context of the Poem
Style of the Poem
Title of the Poem
Repetition in the Poem
Opening and Closing Lines of the Poem
Passage of Time in the Poem
Speaker of the Poem
Basic Details of the Poem
Culture
Fantasy versus Reality
Mood and Tone of the Poem
Themes of the Poem
Rhythm of the Poem
Use of the Senses in the Poem
Imagery in the Poem
Language of the Poem
Supplemental Materials
Drawing Conclusions

The Poets

Edgar Lee Masters (1868–1950)
Edwin Arlington Robinson (1869–1935)
Robert Frost (1874–1963)
Amy Lowell (1874–1925)
Carl Sandburg (1878–1967)
Wallace Stevens (1879–1955)
William Carlos Williams (1883–1963)
Ezra Pound (1885–1972)
H. D. (1886–1961)
Robinson Jeffers (1887–1962)
Marianne Moore (1887–1972)
T. S. Eliot (1888–1965)
John Crowe Ransom (1888–1974)
Edna St. Vincent Millay (1892–1950)
Jean Toomer (1894–1967)
Louise Bogan (1897–1970)
Hart Crane (1899–1933)
Allen Tate (1899–1979)
Sterling Brown (1901–1989)
Langston Hughes (1902–1967)
Countée Cullen (1903–1946)
Elizabeth Bishop (1911–1979)
John Berryman (1914–1972)
Randall Jarrell (1914–1965)
Gwendolyn Brooks (1917–2000)
Robert Lowell (1917 — 1977)
Richard Wilbur (1921– )
James Dickey (1923–1997)
Denise Levertov (1923–1997)
A. R. Ammons (1926–2001)
Allen Ginsberg (1926–1997)
W. S. Merwin (1927– )
James Wright (1927–1980)
Anne Sexton (1928–1974)
Adrienne Rich (1929– )
Sylvia Plath (1932–1963)
Amiri Baraka (1934– )
Wendy Rose (1948– )
Joy Harjo (1951– )
Rita Dove (1952– )
Cathy Song (1955– )

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The Poets

Robert Frost (1874–1963)

Note that the title contains the pun "evening," which means both post-sunset hours and a balancing or leveling. December 22, the shortest day of the year, is a traditional folk holiday that celebrates the equalizing of day and night. Beginning on December 23, winter begins its annual decline and days get longer as the seasons shift toward spring. After the speaker's pause, the morbid lure of snow-decked woods returns to an emotional balance as melancholy gives place to jangling harness bells and mental demands of "miles to go," which could refer to physical miles or unfinished tasks or responsibilities to family or job. The end of the ambiguous couplet, "before I sleep," could preface a night's rest or an eternal sleep — death — that concludes a satisfyingly challenged life.

"Departmental: The End of My Ant Jerry" is a verse animal fable. Composed by Frost when he was 62 years old, the poem takes its title from Rudyard Kipling's "Departmental Ditties" and demonstrates a blend of tweakish humor and mock-heroic form. The comic eulogy lauds the "selfless forager" in intentionally inept rhyme and a truncated rhythm that limps along in mockery of staid Homeric epic style. The elevation of Jerry, a victim of bureaucratic bumblers, visualizes him lying in state — embalmed in ichor and enshrouded in a petal — in the state's ennobling gesture to his role as citizen. Rigidly formal in style and protocol, the poem establishes the city's soullessness as the twiddly funeral director completes the ceremony in a semblance of decorum.


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